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Historyczne formy waloryzacji ruin

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Frydryczak B.
Studia Europaea Gnesnensia
|
2011
|
issue 3
175-194
PL
On the historical and cultural plane, ruins are a lasting element of our landscape. The attitude towards ruins evolved, yet eventually, the 18th and 19th century “cult of ru-ins” allowed them to be perceived from the perspective of aesthetics, which, associating ruins with the category of the picturesque and the sublime, rendered a new meaning to them. The principal thesis of the article rests on the assumption that the discovery of ruins was possible due to the recognition of the landscape’s aesthetic dimension, while their essence lies in their permeation into the world of nature, which allows them to live a natural time.
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Zmysły w krajobrazie

100%
Frydryczak B.
Estetyka i Krytyka
|
2016
|
issue 3(42)
9-22
EN
In the article I take the problem of the role of the senses in the experience of the landscape. I suggest a leaving the classical interpretation and aesthetics of the picturesque, which recognizes the landscape in the visual experience as a picture, to see how the understanding and perception of the landscape change, when we try to interpret it by means of the sublime. The redefinition of the sublime, conducted by Adorno and Berleant, allows to restore its anthropological dimension and relate it with the idea of survival. In this respect, the sublime refers to the understanding of the landscape, which is based on the idea of participation, “being in the landscape”. Participation requires the involvement of the senses, which open up the multiplicity of the landscapes of senses: sound, smell, haptic. Multi-sensory experience in the landscape – the synesthesia of senses – opens up a new sensation, in which an approximate picture becomes a space of experience of senses.
3

Landscape Garden as a Paradigmatic Model of Relationships Between Human and Nature

100%
Frydryczak B.
Dialogue and Universalism
|
2014
|
issue 4
103-114
EN
Following the suggestion expressed in the title of this essay, I deal with the idea which allows for considering landscape garden as a paradigmatic indicator of our rela-tionship with nature. Focusing on the idea of landscape garden and its aesthetics I ana-lyze two aesthetic notions: the picturesque and sublime, which are the background of the kind of experience accompanying a perception and participation of and in the land-scape and environment. I analyse the kind of experience, which captures all the aspects that situate the human in the environment instead of opposing it. The analysis will be conducted within the framework of aesthetics.
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