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La recepció del teatre espanyol a Catalunya. Un cas d’estudi: El último mono (1926) de Carlos Arniches i la seva adaptació catalana (L’adroguer del carrer Nou, 1929)

100%
Orazi V.
Studia Romanica Posnaniensia
|
2021
|
vol. 48
|
issue 3
103-117
EN
Study of the reception of Carlos Arniches’ play El último mono in Catalonia, through the analysis of its Catalan translation. Starting from the identification of the characteristic features of the author’s theatre, as presented in the work under examination, the strategy of transposition into the resulting hypertext will be defined, according to the different types of treatment (preservation, adaptation, replacement, elimination, etc.) of the key elements, both in terms of content as well as of language and style.
2

Transfert interlinguistique et intersémiotique d’Oscar et la dame rose d’Éric-Emmanuel Schmitt: Dieu aux yeux d’un jeune malade

86%
Rola A.
Romanica Wratislaviensia
|
2013
|
vol. 60
131 – 139
EN
Oscar and the Lady in Pink is the most frequently adapted narrative by Éric-Emmanuel Schmitt. In Poland, the first performance was made based on the translation by Barbara Grzegorzewska published in 2004. First, the paper focuses on the image of God in the original text. Then, we compare his image in the French and Polish text of the narrative. Finally, we pass to the analysis of the image of God in the Polish theatrical adaptation by Anna Augustynowicz. We look at the Polish translation by Grzegorzewska and at the text and others theater signs proposed by the performance director.
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