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Metamorphosis in fiction: A supra-sentential analysis

100%
Malá L.
Linguistica Pragensia
|
2019
|
vol. 29
|
issue 2
227-235
EN
This paper proposes an innovative approach to the analysis of fiction texts through the combined means of three points of view, viz. FSP, discourse subjects (DSs) and their cohesive chains, and cohesive ties. It explores the theme of metamorphosis of the characters as it appears in all the three examined aspects, and the influence the metamorphosis exerts on them. Three main problems are discussed in the paper. Firstly, it deals with unexpected tokens in the identity chains of the DSs undergoing the metamorphosis and the cohesive ties through which they are incorporated in these cohesive chains. Secondly, it addresses seeming abrupt switches between two thematic progressions which in fact form just one progression. Lastly, the paper discusses the function of the features detected in the texts in relation to the complexity of the idea of metamorphosis.
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La stratégie de retardement dans la perspective narrative

86%
Kost H.
Orbis Linguarum
|
2018
|
issue 50
389-399
EN
Strategy of retardation in the narrative perspective Retardation is represented as one of the ways of deploying the plot of artistic text through the introduction of additional descriptions, characters, references to historical events and other important clarifiers. Such additional elements break the linearity of the narrative, estranging the climax moment and realizing the effect of emotional stress, waiting for an outcome. Retardation is considered as a phenomenon primarily compositional, since additional information may relate to a subjective, a predicate, application or circumstance that violates the extremely clear structure of the French sentence. Retardation is amplified, among other things, by such stylistic figures as a repORBIS etition and anaphora. Furthermore, additional information in the text is highlighted by punctuation marks: commas, dashes, parentheses, which correspond to a narrative with inserted episodes.
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