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EN
The article is an attempt to read a philosophical load of prose by Bruno Schulz, a writer whose biography marked by the tragic experiences of the Soviet and Nazi totalitarianism is an example of an artist who was turned into a slave. In Schulz’s prose strikes the focus on the father and the son relationship, which is a reversal of the key projects of modernity paradigm of a slave and his master. The axis of the dialectic of Schulz’s father – son are parallel phenomena of presence and absence of the father. Schulz’s narrative fits into the biblical archetype, evokes the heritage of the Patriarchs (James and Joseph), raises the question about the source of being. The fact of renewing the birth, the flow of existence from one entity to the other makes the dialectic of the father and the son a core of anthropological thought. Bruno Schulz, regardless of his break with Judaism and agnostic attitude shows the anthropological significance of the vision of Genesis, according to which man owes its existence to the creative will of God. In Schulz’s prose we meet images of deformation of the source father – son relationship in various forms of authoritarianism: the family, institutional and political.
PL
Jednym z czynników, które przez wieki kształtowały kulturę Zachodu, jest tradycja judeochrześcijańskaoparta o Biblię. Motywy, cytaty i symbole zaczerpnięte z kart Biblii przenikałydo języków europejskich i oddziaływały, zarówno na kulturę wysoką, jak i popularną.Inspiracji biblijnych po wielokroć można doszukać się także w muzyce metalowej. Pracaniniejsza jest próbą krótkiego scharakteryzowania co oryginalniejszych motywów biblijnychpojawiających się w tekstach zespołów metalowych, zwracając jednocześnie uwagę naniewielkie dotychczas zainteresowanie tym aspektem tradycji biblijnej w opracowaniachnaukowych.
EN
One of the many factors which has been creating the west culture is the Judeo-Christiantradition based on the Bible. Motives, quotations and symbols that are coming from the Biblehave been permeating to the European languages as well as they have influenced both thehigh culture and the popular culture. Moreover, the biblical inspirations can be found in metalmusic as well. The underlying paper constitutes an attempt of brief characterization when itcomes to more original biblical motives that are constantly appearing in the lyrics of metalbands, simultaneously, it emphasizes a slight current interest of this biblical aspect in thescientific researches.
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