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Jean Genet devant le miroir de la destruction de l’identité

100%
Hamou M. B.
e-Scripta Romanica
|
2021
|
vol. 9
122-134
EN
The life and work of French author Jean Genet have always been a quest for the ultimate masterpiece. In this quest, three major figures will guide him: the sculptor Giacometti, the painter Rembrandt and the tightrope walker Abdellah Bentaga. Through the works of these artists, Genet will discover the ultimate identity. What drew him to this discovery and which consequences did it have on the writer? It is this relationship to the Other, analyzed in the four texts that Genet wrote about these artists, that we will explore in this article, particularly through the myth of Narcissus.
FR
La vie et l’oeuvre de l’auteur français Jean Genet ont toujours été une quête de l’oeuvre d’art absolue. Dans cette quête, trois figures majeures le guideront : le sculpteur Giacometti, le peintre Rembrandt et le funambule Abdellah Bentaga. À travers les oeuvres de ces artistes, Genet découvrira l’identité absolue. Qu’est-ce qui le mena vers cette découverte et quelles conséquences eurent-elles sur l’écrivain ? C’est ce rapport à l’Autre, analysé dans les quatre textes que Genet a écrit sur ces artistes, que nous nous proposons d’interroger dans cet article, notamment à travers le mythe de Narcisse.
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Krajobraz. Próba ujęcia w perspektywie interdyscyplinarnej

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Frydryczak B.
Studia Europaea Gnesnensia
|
2011
|
issue 4
207-223
PL
The main purpose of the article is to try and locate the meeting points, but also the substantial discrepancies developed in the course of history, the aesthetics which devises its own notion of landscape and the empirical sciences, humanist geography in particular, which resorts to a broader understanding, incorporating it into the notion of environment. By drawing upon the Renaissance idea of landscape, I point to three factors: landscape painting along with the perspective, theatre and the development of cartography, which significantly contributed to the evolution of an aesthetic notion of landscape. The environmental aesthetics may however play a conciliatory role between the traditional, aesthetic presentation and the standpoint of humanist geography, if one takes into account the assumptions of the latter in terms of shaping the renewed cultural notion of landscape.
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