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1

At the Crossroads od European Violin Heritage : The Migration of Prague Violinists throughout Europe from the beginning of the nineteenth century up to the 1880s

100%

Zupančič M.

Hudební věda (Musicology)

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2018

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vol. 55

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issue 1

5-40

EN

The phenomenon of extensive migrations of Bohemian musicians across Europe began at the end of the seventeenth century. With the establishment of the Prague Conservatory in 1811, a new and major wave of emigration of Prague violinists emerged. Thus, most of the talented and promising Prague violinists in the first half of the nineteenth century emigrated throughout Europe, mostly within the Habsburg monarchy. They became members of the Estates theater orchestras in Linz, Graz, and Budapest, the Theater on the Vienna River, Leopoldstadt and Josefstadt theaters in Vienna, the Königsstadt Theater in Berlin, and the prestigious Vienna Imperial Opera and Vienna Imperial Music Chapel. In the second half of the nineteenth century the Prague violinists’ roles and their migration routes changed. They still mostly emigrated to the cities within the Austro-Hungarian Monarchy and German Empire, but some of them also settled in the regions of Galicia and Bukovina and in the neighboring Russian Empire and Slovene lands. They were active as concertmasters, violin pedagogues, virtuosos, chamber music promotors and performers, and organizers of musical and cultural life in numerous European cities. They markedly influenced the violin in particular, as well as music development in general, in the second half of the nineteenth century.

CS

Studie Maruši Zupančič je věnována fenoménu pražské houslové školy v uvedeném časovém období. Autorka se zaměřuje houslisty, kteří působili v zahraničí. Vedle konkrétních osobností včetně sledování jejich životních osudů a působišť však věnuje pozornost rovněž vlivům, které vedly k odchodu těchto hráčů mimo české země do ostatních zemí. Stranou nezůstává ani dobová reflexe, díky které se dozvídáme o velkém věhlasu, jemuž se mnozí z českých houslistů těšili.

2

The angle of trunk rotation and symmetry of a lower limb loading in musicians of a symphony orchestra in Poland: a pilot study concerning instrument-specific results

100%

Kaczorowska A., Kornek M., Mroczek A., Lepsy E., Radajewska A.

Medycyna Pracy

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2022

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vol. 73

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issue 2

85-93

EN

Background: The study aimed to evaluate the angle of trunk rotation (ATR) and symmetry of lower limb loading in professional musicians. Material and Methods: A total of 60 instrumentalists were examined: cellists, violinists and musicians playing wind instruments. The scoliometer examination was used to assess trunk asymmetry. The angle of trunk rotation was measured at segment: Th1–Th4, Th5–Th12, and Th12–L4. The maximum value (ATR max) and the sum of three rotations (STR) were calculated. Two scales were used to assess the symmetry of lower limb loading. Loading symmetry index (LSI) of the lower limb was calculated. Results: Violinists have the highest mean values of ATR, ATR max, STR and LSI and musicians playing wind instruments have the lowest mean values. In the group of violinists and musicians playing wind instruments, a positive correlation was found between playing experience and ATR Th1–Th4. Conclusions: The body position during playing violin and cello may increase the angle of trunk rotation and the lower limb loading’s asymmetry. Med Pr. 2022;73(2):85–93

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Lwowscy skrzypkowie pochodzenia żydowskiego w opinii dziennikarzy i krytyków muzycznych w Polsce międzywojennej

84%

Fink K.

Annales Universitatis Mariae Curie-Skłodowska, sectio F – Historia

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2018

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vol. 73

EN

There were many great violinists of Jewish descent in interwar Lviv. They participated in Polish musical life as soloists, chamber musicians, conductors, members of orchestras and teachers. Along with creating their local music scene, they performed on various Polish and foreign stages and played for Polish Radio. Among the most talented Jewish violin virtuosos connected with Lviv at that time were Robert Perutz, Feliks Eyle and Bronisław Gimpel. The subject contained in this study’s title refers to music critics’ (“elite”) approach to Lviv musicians of Jewish descent (“outsiders”) in the interwar period, i.e. the period of manifesting antisemitism and nationalism.

PL

W międzywojennym Lwowie działało wielu znakomitych skrzypków pochodzenia żydowskiego, którzy aktywnie włączali się w polskie życie muzyczne jako soliści, kameraliści, dyrygenci, członkowie orkiestr oraz pedagodzy. Uczestniczyli nie tylko w życiu koncertowym miasta, występowali bowiem również na polskich i zagranicznych scenach muzycznych i dokonywali nagrań dla Polskiego Radia. Do najwybitniejszych żydowskich skrzypków-wirtuozów związanych ze Lwowem w tym czasie należeli: Robert Perutz, Feliks Eyle i Bronisław Gimpel. Problem sformułowany w tytule niniejszego opracowania dotyczy stosunku krytyków muzycznych („elit”) do lwowskich muzyków żydowskiego pochodzenia („obcych”) w okresie międzywojennym, tj. w latach narastania w Polsce antysemityzmu i nacjonalizmu.

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1 Annales Universitatis Mariae Curie-Skłodowska, sectio F – Historia

1 Hudební věda (Musicology)

1 Medycyna Pracy

1 Fink K.

1 Kaczorowska A.

1 Kornek M.

1 Lepsy E.

1 Mroczek A.

1 Radajewska A.

1 Zupančič M.

1 2022

2 2018

At the Crossroads od European Violin Heritage : The Migration of Prague Violinists throughout Europe from the beginning of the nineteenth century up to the 1880s

The angle of trunk rotation and symmetry of a lower limb loading in musicians of a symphony orchestra in Poland: a pilot study concerning instrument-specific results

Lwowscy skrzypkowie pochodzenia żydowskiego w opinii dziennikarzy i krytyków muzycznych w Polsce międzywojennej