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The article is dedicated to the poetics of obituaries homages by the Polish philosopher, ontologist and aesthetist, Roman Witold Ingarden. It centres on the issue of the extent to which the language of phenomenological perspective permeates the poetics of his occasional texts. The starting point is Ingarden ’s interpretation of memory as ‘spiritual power’, and therefore one that is not restricted exclusively to the didactical aspect, but, most importantly, one that facilitates ethical and moral development. The course of the reflection, as presented in the text, is therefore determined not exactly by philological analysis, but by an analysis concentrating on the composition scheme, which is a result of applying the phenomenological philosophy method.
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