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PL
W artykule zawarta została propozycja wykorzystania w ramach licealnej edukacji polonistycznej eseju – gatunku zróżnicowanego formalnie i treściowo, hybrydycznego i trudnego w odbiorze, lecz jednocześnie bardzo użytecznego dydaktycznie. Szerokie spektrum form eseistycznych ograniczone zostaje do tak zwanego „polskiego eseju” – pojęcia wprowadzonego i zdefiniowanego przez Czesława Miłosza. Przykładem realizacji gatunku i przedmiotem analizy jest tutaj esej samego Miłosza, Dostojewski – traktujący o wybranych wątkach z życia i twórczości rosyjskiego pisarza, a przede wszystkim prezentujący jego obraz w subiektywnym spojrzeniu polskiego noblisty.
EN
The article offers a proposal of using essay, within high school Polish studies, as a genre which is diverse formally and substantially, hybrid and cerebral, still, useful in a teaching practice. The wide range of essayistic forms is limited to the so-called "Polish essay" – the notion introduced and defined by Czesław Miłosz. An example of genre implementation and a subject of analysis is his own essay entitled Dostojewski – discussing the selected aspects of life and writings of the Russian writer and, most of all, presenting his image from the subjective perspective of the Polish Nobel prize winner.
EN
The article aims at outlining the figure of Piotr Matywiecki as a poet representing one of the types of the contemporary religious lyrical poetry. The discussed works constitute an expression of a specific, Christian and Jewish identity and, consequently, it can be considered emblematic to modern spirituality – the one functioning within the unspecified and hybrid borderland. At the core of the discussion lies the notion of “biblical nature”, which as a feature of literary works has been worked out and applied by the author of Conversion of Max Jacob himself, in reference to the works of such authors as Bolesław Leśmian, Bruno Schulz, Julian Tuwim and Arnold Słucki. Analysis of the texts shows that it can be also distinguished in his own poetical output which is to a great extent based on biblical subjects and symbols, and explores threads of the Old and New Testament as well as shows their functioning in the culture. The most handy example for the issues outlined in that way is “biblical poems”, that is, a number of apocryphal poems embodying biblical motifs in a modern poem form. here, these are discussed not only in detail but also in the context of the whole poetical and essayistic works of the presented author. The interpretations are summed up by including the work of Piotr Matywiecki in the trend of Polish Theo-linguistic poetry discussing theological issues from the perspective of the 20th century philosophy of language and postsecularism
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