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"Id", "ego" i deficyt superego w obrazie psychologicznym bohaterów powieści "Zazdrość i medycyna" Michała Choromańskiego

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Setlak W.

Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

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2018

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issue 10(2)

133-148

PL

Opublikowana w roku 1933 powieść Zazdrość i medycyna Michała Choromańskiego wyłamuje się zdecydowanie z dominującej w prozie dwudziestolecia międzywojennego konwencji realizmu psychologicznego wykorzystującego zdobycze psychologii behawioralnej. Dzieło Choromańskiego to nowatorski eksperyment kompozycyjny i myślowy; świat przedstawiony w Zazdrości i medycynie przypomina psychotyczną malignę czy oniryczną wizję. Całość powieści skłania do badań interdyscyplinarnych z wykorzystaniem np. psychoanalizy Sigmunda Freuda, metody psychokrytycznej Charles’a Maurona, współczesnej psychologii procesu twórczego i tych metodologii badań psychologicznych, które akceptuje i niekiedy wykorzystuje współczesne literaturoznawstwo. Powieść Choromańskiego uchodzi za najbardziej wnikliwe, merytoryczne studium zazdrości w literaturze międzywojnia.

EN

Id, ego and superego deficit in a psychological image of the protagonists of ″Jealousy and Medicine″ by Michał Choromański Jealousy and Medicine – a novel by Michał Choromański, published in 1933, evidently breaks out of the convention of psychological realism thriving on the achievements of behavioural psychology, dominant in the interwar period. Choromański’s work is an innovatory experiment on composition and thought; the world shown in the novel resembles a psychotic maligna or oneiric vision. The whole novel prompts interdisciplinary research using psychoanalysis of Sigismund Freud, Charles Mauron’s psychocritical method, being a transformation of classical Freudian psychoanalysis (with Otto Rank’s modifications), contemporary psychology of a creative process and the methodologies of psychological research which are accepted and occasionally used by contemporary literary studies. Choromański’s novel is deemed the most discerning studium of jealousy in interwar literature.

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Twórca wobec przestrzeni i czasu. Przyczynek do rozważań o filozofii mobilności Andrzeja Stasiuka

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Setlak W.

Tematy i Konteksty

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2015

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issue 5(10)

31-45

EN

For the last decade Andrzej Stasiuk’s prose has focused on description and interpretation of the author’s numerous journeys to central and Eastern European countries, the Balkans and Asia. He talks about them with his characteristic literary disposition, thus creating a specific genre which can be defined as ‘a wanderer’s diary’ or ‘travel story’. In such works as Going to Babadag (2006), There are no expresses by the yellow roads (2013) or The East (2014), the relational layer maintained in the convention of literary reportage co-exists in an active way with the reflective layer, the artistic projection of which is the clearly marked cultural and spatial nature and the teleology of dynamic existence within its frame requires intellectual mobility in comparing distinguishing features of the Oriental and Occidental cultural systems. The author is clearly in favour of the former – it is the basic territory of his existence as a human being and an artist. Andrzej Stasiuk’s philosophy of mobility marked by nomadic thinking obviously clashes with the desire for balance in the world and his intellect rejects both the opportunity of ‘an escape to the utopia’ and acceptance of what is happening in his territory.

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Rozdźwięki i współbrzmienia, czyli o naturze i kulturze w prozie Andrzeja Stasiuka

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Setlak W.

Dydaktyka Polonistyczna

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2017

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issue 3(12)

35-48

EN

Andrzej Stasiuk as an author of „travel” prose is equally strongly immersed in nature and culture. His narration is dominated by descriptions of nature. Man drawing both from nature and culture is important in his works. Stasiuk, an artist inevitably entangled in culture, sees an opportunity for self-fulfillment in nature understood as a more general notion than just natural environment. However, he does not pursue the „state of nature” – inculturation does not allow him to do it. Thus, he seeks a compromise consisting in „being” in „culture” while staying close to nature. The author’s quest resemble the struggle of a nomad roaming some geographical space for a purpose. The same thing happens when the writer tries to find a place for himself in the megaspace of nature and culture using the power of the mind and imagination. This type of activity is by geopoetics attributed to a socalled nomadological subject. It seems that the main thesis of Stasiuk’s literary anthropology is a conviction that man lives on the border of nature and culture where his existence can be authentic despite certain antagonisms. In other words, consona is possible despite dissonance. It is all about proportion. Andrzej Stasiuk in his prose seems to be close to defining this very state of affairs.

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W sukurs pamięci. Kilka uwag o diariuszu i pamiętnikach Mieczysława Marcinkowskiego

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Setlak W.

Tematy i Konteksty

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2016

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issue 6(11)

498-502

EN

Mieczysław Marcinkowski’s diary entitled Wbrew losowi. Z partyzantki i tułaczki 1939–1945 was created in two periods of the author’s life and two geographical and cultural areas (Subcarpathia during wartime in Poland and California in the 1990s). Developed by a group of Rzeszów scientists, the diary of a Home Army fighter in Subcarpathia, later a refugee, now living in Pasadena, USA, is a record of events, experiences and reflections from wartime occupation and postwar exile. It is a convincing record of facts, which makes it a valuable source text for historians. It is also a work of some literary quality, written in spontaneous and sincere language that triggers empathy in the reader, and it is fairly original at the composition level.

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2 Tematy i Konteksty

1 Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

1 Dydaktyka Polonistyczna

4 Setlak W.

1 2018

1 2017

1 2016

1 2015

"Id", "ego" i deficyt superego w obrazie psychologicznym bohaterów powieści "Zazdrość i medycyna" Michała Choromańskiego

Twórca wobec przestrzeni i czasu. Przyczynek do rozważań o filozofii mobilności Andrzeja Stasiuka

Rozdźwięki i współbrzmienia, czyli o naturze i kulturze w prozie Andrzeja Stasiuka

W sukurs pamięci. Kilka uwag o diariuszu i pamiętnikach Mieczysława Marcinkowskiego