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Review of: Margreta Grigorova, Joseph Conrad Korzeniowski. The Creator as Seafarer

100%
Tsoneva P.
Yearbook of Conrad Studies
|
2013
|
vol. 8
PL
Margreta Grigorova: Joseph Conrad Korzeniowski. The Creator as Seafarer
2
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Conrad’s Artistic Returns: Perspectives on a Bulgarian Debut in Staging Heart of Darkness

72%
Grigorova M., Tsoneva P.
Yearbook of Conrad Studies
|
2019
|
vol. 14
35-59
EN
Since 1989 (the fall of Communism) the performing arts in Bulgaria have suffered a long process of transition dominated by a certain dialectic tension between the necessity to meet economic needs and the desire to open new venues for dramatic art. Against this background and contributing its own perceptive “reading” of Heart of Darkness to Conrad’s Bulgarian reception, on the eve of the vigorous celebration of his 160th anniversary in 2017, stage director Valeria Valcheva’s theatrical adaptation represents a remarkable debut rendition of Conrad’s fiction. The aim of this article is to explore how her idiosyncratic, creative, poetically recognizable approach lends a new form to Conrad’s recurrent relocation in modern and contemporary Bulgarian art.
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