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1
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Książki, czyli wety rozkoszne naszego ducha. Recenzja książki Anny Nosek „Co dać dziecku na gwiazdkę?”. Studia nad kulturą czytelniczą i krytyką literatury dla młodych odbiorców w XIX wieku, Universitas, Kraków 2021

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Badowska K.
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
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2022
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issue 11
201-209
EN
The review article concerns the publication by Anna Nosek “Co dać dziecku na gwiazdkę?” Studia nad kulturą czytelniczą i krytyką literatury dla młodych odbiorców w XIX wieku (“What to Give a Child for Christmas?” Studies on Reading Culture and Literary Criticism for Young Readers in the 19th Century). The article indicates that this publication is necessary, concise description of the place and role of the book, made by a researcher who has been analyzing literature for children and adolescents for many years. The author’s insight was appreciated, especially the fragments describing a model of a 19th-century “good book” for children. Critical comments concern, among others, the vagueness of the prase “for young readers” used by the researcher.
PL
Artykuł recenzyjny dotyczy publikacji Anny Nosek „Co dać dziecku na gwiazdkę?” Studia nad kulturą czytelniczą i krytyką literatury dla młodych odbiorców w XIX wieku (Kraków 2021). Wskazano, że publikacja ta to potrzebny, syntetyczny opis miejsca i roli książki w pojmowaniu ludzi epoki, dokonany przez badaczkę od lat zajmującą się literaturą dla dzieci i młodzieży. Doceniono wnikliwość autorki, zwłaszcza fragmenty poświęcone ustaleniu modelu XIX-wiecznej dobrej książki dla małego odbiorcy. Uwagi krytyczne dotyczą natomiast m.in. ogólnikowości i nieostrości używanej przez badaczkę frazy „dla młodych odbiorców”.
2
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Mit orfejski à rebours. O Pieśni tryumfującej miłości Tadeusza Micińskiego

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Badowska K.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2019
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vol. 52
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issue 1
25-48
EN
The author analyses Pieśń tryumfującej miłości (one the prose poems by Tadeusz Miciński) as an inverted version of the myth of Orpheus and Eurydice. The interpretation is embedded in the context of the Orphic doctrine and Orphic mystery cults. It refers also to the significant role of music – not only in the nineteenthcentury literature but also in Miciński’s life and work.
PL
Autorka interpretuje poemat prozą Tadeusza Micińskiego jako transpozycję mitu o Orfeuszu. Rozważaniami obejmuje przy tym nie tylko mit orfejski, ale i doktrynę orficką. Analizy sytuuje na szerokim tle podkreślającym znaczenie muzyki w Młodej Polsce. Odnotowuje kontakty pisarza z kompozytorami, reperkusje jego pobytu w Hellerau, a także utwory, w których tematyzował muzykę. W takiej perspektywie dokonuje analizy Pieśni tryumfującej miłości.
3
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Dzieci nędzy – from a narrative poem to a novel. A preliminary study towards a reconstruction of Stanisław Przybyszewski’s creative process

100%
Badowska K.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2022
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vol. 64
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issue 1
137-169
PL
Na podstawie prześledzenia genezy Dzieci nędzy (1913) i historii komponowania tekstu dokonano ciekawych ustaleń z zakresu działań twórczych najgłośniejszego autora Młodej Polski – Stanisława Przybyszewskiego. Badania ujawniły m.in. niechęć pisarza do (czy może: nieumiejętność) radykalnej modyfikacji raz dokonanych zapisów tekstowych i wzrost literackiej efektywności z dala od wielkich miast. Kolacjonowanie przekazów powieści oraz lektura dokumentów osobistych pozwoliły stwierdzić, że znaczący wpływ na ostateczny kształt Dzieci nędzy miały powikłania osobiste i przykre okoliczności życiowe, które znacząco determinowały (czy raczej: destruowały) proces pisarski Przybyszewskiego, oraz ingerencja domagającego się uzupełnień wydawcy, któremu pisarz skwapliwie przyznał rację, dopisując kilka rozdziałów. Te sumiennie dokonane poprawki świadczą o tym, jak ważne były dla pisarza uwagi redakcyjne w udoskonalaniu tekstu.Najważniejsze odkrycie, do jakiego prowadzą badania tekstologiczne, dotyczy jednak autorskiej rezygnacji z zamierzonego pierwotnie poematu prozą i przetransponowania jego idei w formę powieściową. Ta decyzja – będąca rodzajem kapitulacji w zmaganiach z tworzywem – świadczyła de facto o nowatorskim myśleniu Przybyszewskiego o powieści i sprawiła, że Dzieci nędzy to niezwykle ciekawy artystycznie, nowoczesny zapis stanów psychicznych. Od strony rozwiązań konstrukcyjno-narracyjnych to niewątpliwie jedna z najciekawszych powieści Przybyszewskiego.
EN
The origins of Dzieci nędzy (1913) and the story of its writing offer interesting insights into the creative work of Stanisław Przybyszewski, the most prominent writer of the Young Poland period. The study has revealed, e.g., his aversion (or inability rather) to introduce radical modifications to already finished texts and that his literary efficiency increased the further he was from big cities. A collation of the novel and a reading of private documents have enabled me to ascertain that the final shape of Dzieci nędzy was to a large extent influenced by Przybyszewski’s personal complications and trying circumstances, which severely determined (or rather undermined) his writing process, as well as the interventions by his editor who demanded additions to the work, with which the writer always agreed and added several chapters. Those diligently developed corrections proved how important the editorial remarks of the need to improve the text were to the writer. However, the most important discovery resulting from the textual study is that of the author’s decision to abandon his initial intention to author an epic poem in prose and shift to the novelistic form. That resolution, a kind of a surrender in the struggle with matter, proves Przybyszewski’s innovative approach to the novel and as a result of it Dzieci nędzy are an artistically interesting modern record of psychological states. In terms of structural and narrative solutions, it is clearly one of the most interesting novels by Przybyszewski.
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Rozterki modernistycznego (nie)istnienia – „ja” entropiczne w prozie Stanisława Przybyszewskiego

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Badowska K.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 33
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issue 3
137-154
EN
The author declares Stanisław Przybyszewski as one of the precursors of the modern recognition of subject as a broken entity, aware of internal contradictions, and therefore unable to constitute itself, unreconciled with being, turning into and enemy of itself. The Young Poland writer portrayed as an exponent of ontological uncertainty that characterised thinking about man and the world throughout the twentieth century. Analysing works from different stages of his career, the author finds that their heroes are not an aftermath of the epidemic of pessimism, but a reflection of a deeper anthropological crisis, one that lead, after Przybyszewski’s death, through Sartre’s existentialism to the postmodern proclamation of “death of the subject.” The author also indicates that Przybyszewski’s characters suffer from vagueness and elusiveness of their own selves, until they lose the sense of self, experiencing a crisis of rationalism and plunging into the cultural matrix.
5
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Ojczyzna – obczyzna. Stanisław Przybyszewski o swej niemieckiej przeszłości w kręgu berlińskiej bohemy

100%
Badowska K.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2022
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vol. 22
89-110
EN
This article explores the Berlin period in the life and work of Stanisław Przybyszewski (1889-1898), one of the most famous writers of Young Poland, particularly focusing on why Przybyszewski - a writer debuting works in German and considered by scholars a Polish-German writer - came to increasingly depreciate his participation in the literature of his Western neighbors. In his memoirs, published before his death, he categorically stated: „I owe German literature - absolutely nothing”. In this essay, the researcher examines the circumstances in which Przybyszewski shone as a writer in the Berlin bohemian circle. Next, she shows how he discredited the entire cultural life of Jung-Deutschland, and renounced his artistic ties established in Germany. Finally, she speculates on why Przybyszewski created an unfavorable image of the German community at the end of the 19th century, and indicates that this process went hand in hand with the self-creation of a Polish writer.
6
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MIĘDZY POLAKIEM A CZŁOWIEKIEM. BRZOZOWSKI – ŻEROMSKI: DWIE STRATEGIE PISARSKIE Z MITAMI W TLE

100%
Badowska K.
Prace Polonistyczne
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2019
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vol. 74
147-171
EN
The author analyzes the strategies of keeping balance between the characters’ subjectivity and their national identity in the novels written by Stefan Żeromski and Stanislaw Brzozowski shortly before Poland regained independence. She argues that Żeromski, although well known for creating characters who are patriotic, committed, and actively involved in the making of their country’s history, tried to distance himself from the so-defined Polishness in order to show more universal characters. All Brzozowski’s works, on the other hand, prioritized the concept of a universal human being over an individual defined solely in terms of his Polish national identity, and asked whether a contemporary human being has any homeland at all. At the end of his life, however, he re-embraced his Polish identity, gradually giving up on the concept of a “universal man.”  
PL
 The author analyzes the strategies of keeping balance between the characters’ subjectivity and their national identity in the novels written by Stefan Żeromski and Stanislaw Brzozowski shortly before Poland regained independence. She argues that Żeromski, although well known for creating characters who are patriotic, committed, and actively involved in the making of their country’s history, tried to distance himself from the so-defined Polishness in order to show more universal characters. All Brzozowski’s works, on the other hand, prioritized the concept of a universal human being over an individual defined solely in terms of his Polish national identity, and asked whether a contemporary human being has any homeland at all. At the end of his life, however, he re-embraced his Polish identity, gradually giving up on the concept of a “universal man.”
7
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Ubiory Ludwika II legnicko-brzeskiego i jego żony, Elżbiety z Hohenzollernów

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Badowska K., Wasiak W.
Acta Universitatis Lodziensis. Folia Archaeologica
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2015
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issue 30
225-247
EN
This paper focuses on the appearance and dress of two important to medieval Silesia persons, duke Louis II of Brzeg-Legnica and his second wife, Elisabeth of Hohenzollern. Our reconstruction is based on three preserved medieval polychromes depicting the duke, and on his tombstone. Relics of the tomb, sculptures of duke Louis and his wife Elisabeth, are exhibited in the Cathedral Church of St Peter and St Paul in Legnica. Polychromes believed to be images of Louis II are in parish churches of Strzelniki, Krzyżowice and in St Nicholas Church in Brzeg. They were painted by the so called Master of Adoration of the Magi - skilled artist probably brought to Silesia by duke Louis II from Burgundy or Flanders. After examining duke’s clothes from the paintings, we come to the conclusion, that there are two different types of dress he was supposed to wear. Both splendid but short, barely reaching knees. One seems to be tightly fitted at chest and flared at waist. This kind of dress is often called jopula. The other dress is wide and loose, pulled in at waist with a belt. It has also wide sleeves decorated with a cut-out in a shape of oak leaves. This sort of dress is very similar to the gown which was quite popular in medieval Western Europe and we know it as houppelande. In both cases costume is completed with underdress, tight hoses, over ankle shoes, crown and a few other details. Our graphical representation of these attires is introduced on the illustration no. 12 and no.13. The only preserved image of the duchess Elizabeth is her tombstone. Closer look at it brings us many interesting conclusions. The most significant one is that duchess’s clothes were for many years misinterpreted. Her gown was considered to be a surcot (dress without sleeves, deeply cut under armholes), whilst it occurs to be underdress covered with tails of a garment resembling modern coat, with elbow length sleeves and without fastening. Schematic drawing no. 21 shows our interpretation of duchess’s attire. However, the data are not sufficient to create a reliable reconstruction of her apparel. We are hoping that our obsevation will help to stress the importance of comparative.
PL
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8
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‘Historical Craft from the Artisan’s Point of View’. Analysis of the Results of the Survey Conducted Among Craftsmen Specialising in Historical Reconstruction

63%
Badowska K., Rutkowski W.
Acta Universitatis Lodziensis. Folia Archaeologica
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2019
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issue 34
243-253
PL
Artykuł przedstawia wyniki ankiet przeprowadzonych przez autorów, których przedmiotem była archeologia eksperymentalna. Do grupy rzemieślników zajmujących się rekonstrukcją skierowano pytania dotyczące trudności, z którymi spotykają się podczas swojej pracy odtwórczej. Co jest największym problemem? Skąd rzemieślnicy czerpią informacje dotyczące technologii wytwórstwa? Jak ich wyroby są przyjmowane przez odbiorców? Ramy chronologiczne odtwórstwa zawężono do jednego okresu historycznego (czasu występowania kultury przeworskiej, a więc okresu przedrzymskiego, okresu wpływów rzymskich i okresu wędrówek ludów). Pozwoli to uczytelnić powiązania między niewielką grupą rzemieślników zajmujących się rękodzielnictwem metodami starożytnymi a światem naukowym, zdobywaniem wiedzy historycznej i archeologicznej oraz inspiracji etnograficznych w celu rozwiązania problemów technik rzemieślniczych. Badaniami zostały objęte osoby zajmujące się różnymi rzemiosłami, od obróbki metalu po garncarstwo, co pozwala spojrzeć na owo zagadnienie z szerszej perspektywy.
EN
The paper presents the results of the survey carried out by the authors of this paper, the subject of which was experimental archaeology. We asked a group of artisans that deal with historical reconstruction a set of questions about the difficulties they encounter during their reconstruction work. What is their biggest problem? Where do the craftsmen derive information about the ancient technology from? How are their products received by recipients? The chronological framework of the reconstruction industry was narrowed down to one historical period (the time of the Przeworsk culture, that is the Pre-Roman Iron Age, the Roman Iron Age and Migration Period). This clearly showed some connections between a small group of craftsmen using ancient methods in their work and the academic world, and how important it is to acquire historical and archaeological knowledge and to find ethnographic inspirations in order to solve the problems of craft techniques. The survey covered artisans practising various crafts, from metalwork to pottery, which added a broader perspective to the issues studied.
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