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Dźwięk przestrzenny jako ekwiwalent misyjnego i komercyjnego modelu artystycznych produkcji audialnych

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Łastowiecki J.

Media – Kultura – Komunikacja Społeczna

2014

issue 10/1

62-78

The aim of the article is to show the functioning of artistic audio forms – in the commercial and mission medium. The developing and lucrative production of audiobooks using the artificial head (binaural sound) and virtualization of the radio rama in productions of Polish Radio Theatre (Dolby Pro Logic 2) are the different images of convergence culture. Experimental audiobooks and radio spectacles using the Dolby surround system are not only a sign of growing artistic offers for audiophiles. First of all, it is an attempt to promote creative ideas in the more attractive and convergence-marked formula of the new canon in media. The permeation of meanings coming from traditional and modern media has a new aspect which has attracted the attention of audiophiles. Surround sound and the “artificial head” effect are not only the instruments of new audio literature. The article attempts to show how experimental sound forms are derived from the syncretism of modern media and how they produce an autonomous art form which does not copy other forms such as film, theatre or television. To what extent is the freedom of creativity to reflect itself seen in productions of audiobooks and to what extent is this found in the adaptation and direction of radio dramas of Polish Radio? Each of these two proposals shows the different functions of artistic factors and promotes the alternative popularization of audio productions.

Intryga audio. Hybrydyczna rzeczywistość słuchowiska Krzysztofa Czeczota Andy

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Łastowiecki J., Uniwersytet Zielonogórski W. H., Janusz Łastowiecki – krytyk radiowy p. i. b. s. r. N. U. Z. p. p. d. n. t. p. t. r. B. s., januszlastowiecki@o2.pl

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2015

vol. 28

issue 2

The concept of the simulacrum creatively influenced reflections on postmodernism. In this text it will help us to see the phenomenon of the hybridization of meaning constituted in a dolby surround radio drama. Czeczot’s drama Andy uses the convention of noir to illustrate problems associated with media coverage. The article demonstrates the role of the listener in the formula created by the drama’s author, that of surround sound.

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1 Acta Universitatis Lodziensis. Folia Litteraria Polonica

1 Media – Kultura – Komunikacja Społeczna

2 Łastowiecki J.

1 Janusz Łastowiecki – krytyk radiowy p. i. b. s. r. N. U. Z. p. p. d. n. t. p. t. r. B. s.

1 Uniwersytet Zielonogórski W. H.

1 januszlastowiecki@o2.pl

1 2015

1 2014

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Dźwięk przestrzenny jako ekwiwalent misyjnego i komercyjnego modelu artystycznych produkcji audialnych

Intryga audio. Hybrydyczna rzeczywistość słuchowiska Krzysztofa Czeczota Andy