Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Kolegium Filmowe 2014–2015: TVP w służbie kinematografii

100%
Majer A.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2018
|
vol. 23
|
issue 32
EN
The article discusses the functioning of the Film Council during its activity in Telewizja Polska in 2014–2015. In less than two years the Council consisting of over a dozen members from several TVP’s departments recommended almost forty coproductions for feature films, regulated procedures for the endorsement of coproduction agreements and aimed to develop TVP’s influence in the process of film promotion and distribution. According to Polish film law, the Council’s job was to stimulate the development of the Polish cinema.
PL
The article discusses the functioning of the Film Council during its activity in Telewizja Polska in 2014–2015. In less than two years the Council consisting of over a dozen members from several TVP’s departments recommended almost forty coproductions for feature films, regulated procedures for the endorsement of coproduction agreements and aimed to develop TVP’s influence in the process of film promotion and distribution. According to Polish film law, the Council’s job was to stimulate the development of the Polish cinema.
2
Publication available in full text mode
Content available

Narracja czasem. Analiza struktury narracyjnej filmu Arrival (2016) Denisa Villeneuve’a

100%
Majer A.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2020
|
vol. 28
|
issue 37
221-232
EN
The article deals with the narrative structure of Denis Villeneuve’s Arrival. Using the concept of a skeptical viewer as a starting point, the author follows the processes of unveiling meanings, both when it comes to the understanding of the plot of the story, as well as the senses and morals stemming out of it. The viewer’s activity appears to be engaged with the activity of a character who is determined to discover the generic science fiction mystery, i.e. to learn the secret of the aliens’ language. The language, in turn, leads to revealing the time reliances in the film, as well as to formulating the thesis on a specific kind of storytelling: not as a “narrative about time,” but rather a “narrative by time.”
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.