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Przygotować się do obrony przed bandami Mahometa, czyli Pana Michała algierskie przypadki

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Pawlicki J.
Białostockie Studia Literaturoznawcze
|
2019
|
issue 15
233-247
EN
The article interprets the book Muzułmanie, islam i ja [Muslims, Islam and Me] by Michał Christian, which is an account of his stay in Algeria, where he worked as a specialist in the repair of construction machinery in the late eighties.While the main reason for Christian’s trip was the desire to join his wife – Aleksandra Kasznik-Christian, history professor and scholar working in North Africa – the main impulse to write the account came from the September 11 attacks and Oriana Fallaci’s books. The article aims to deconstruct the Orientalist preconceptions underlying Christian’s vision of Islam and relations with Muslims.
2
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Alice Zeniter ou l’art du renouveau

100%
Pawlicki J.
Studia Romanica Posnaniensia
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2018
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vol. 45
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issue 3
109-118
PL
L’Art de perdre (Flammarion, 2017) is the fifth and latest novel of Alice Zeniter, French novelist anddramatist. She published her first novel at the age of sixteen. In this paper I will present L’Art de perdre as a novel related to the common history of France and Algeria. My main goal is to analyze the issues of memory according to the concepts of postmemory by Marianne Hirsch and archaeological novel by Dominique Viart. The article aims also at following a comparative study of L’Art de perdre and previous novels by Alice Zeniter: Jusque dans nos bras and Juste avant l’Oubli.
FR
L’Art de perdre (Flammarion, 2017) is the fifth and latest novel of Alice Zeniter, French novelist and dramatist. She published her first novel at the age of sixteen. In this paper I will present L’Art de perdre as a novel related to the common history of France and Algeria. My main goal is to analyze the issues of memory according to the concepts of postmemory by Marianne Hirsch and archaeological novel by Dominique Viart. The article aims also at following a comparative study of L’Art de perdre and previous novels by Alice Zeniter: Jusque dans nos bras and Juste avant l’Oubli.
3
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L’Algérie : une filiation difficile. "L’effacement" de Samir Toumi

100%
Pawlicki J.
Cahiers ERTA
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2019
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issue 20
99-109
EN
In his novel “L’effacement”, published in 2016, Samir Toumi presented the image of the generation born after Algeria’s independence on the example of the main character. It is a generation condemned to live in the shadow of the great parents who fought in the Algerian War against France. “L’effacement” is an interesting example of the development of the genre which is récit de filiation. The aim of the article is to describe the difficult filiation in the novel by Toumi: the relationship of children with parents disturbed by the unlimited appetite for power in the previous generation.
4
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Les tribulations parisiennes de l’officier écrivain : l’oeuvre autobiographique de Yasmina Khadra et son accueil en France

100%
Pawlicki J.
Studia Romanica Posnaniensia
|
2012
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vol. 39
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issue 1
99-106
EN
This article describes Yasmina Khadra’s autobiographical work composed of two books: "L’écrivain" and "L’imposture des mots" and its reception in France. The main purpose of this study was to establish the literary genre of these books, which implies determining whether Khandra’s work represents an autobiography or an autofiction with reference to P. Lejeune’s and V. Colonna’s theoretical studies. The dividing line between two genres in Khandra’s works refl ects his inner split between being either a solder or a writer. The presentation will also help to understand the controversy resulting from Khandra’s participation in Algerian civil war. Moreover the analysis is related to modern Algerian history.
FR
This article describes Yasmina Khadra’s autobiographical work composed of two books: "L’écrivain" and "L’imposture des mots" and its reception in France. The main purpose of this study was to establish the literary genre of these books, which implies determining whether Khandra’s work represents an autobiography or an autofiction with reference to P. Lejeune’s and V. Colonna’s theoretical studies. The dividing line between two genres in Khandra’s works reflects his inner split between being either a solder or a writer. The presentation will also help to understand the controversy resulting from Khandra’s participation in Algerian civil war. Moreover the analysis is related to modern Algerian history.
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