This study strives to bring to the attention the context of literary history findings concerning the troubadour song “Farai un vers de dreit nien” and his supposed author. The analysis discusses the scientific debate of the historical identification of the song’s author, its chronological placement and the song’s attribution among other author’s texts. It reexamines parts of the song proposing several considerations derived from the historical and literary context that might offer interesting perspectives for the interpretation of the song.
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