Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 17

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Simulation Study of Inventory Management in Supply Chains

100%
Wiśniewski T.
Logistics and Transport
|
2018
|
vol. 37
41-48
EN
Well-organized management of a supply chain involves the control of inventory levels and fast response to the changing customer demands. Enterprises cannot cope with this problem which contributes to the growing stock levels and therefore increases costs. The main goal of the article is to present a simulation approach to the problem of inventory management in a supply chain. The work shows the use of computer simulation techniques in order to emulate a supply chain system and its stochastic behaviour. The procedure for the usage of simulation modelling was described in a case study containing an analysis of an online store. The simulation results are presented using statistical parameters, which means that managers can get not only information concerning the expected value of the parameter looking decision-making, but also statistics to the characteristics of the risk associated with the decision associated with possible uncertainty.
2
Publication available in full text mode
Content available

Images of Violence in Complicite

100%
Wiśniewski T.
Społeczeństwo. Edukacja. Język
|
2017
|
vol. 1(5)
53-60
EN
In British theatre of the last three decades, we observe a significant shift from the more verbal, playwright-focused model of theatre whose meanings are determined primarily by the literary concept of drama to the one which exercises more profoundly artistic autonomy of theatre. Complicite is one of the leading theatre companies that are responsible for this shift. In the performances of Complicite, the theme of violence has been explored frequently. The whole variety of theatre devices were employed in depicting images of violence. The article discusses plays such as Mnemonic, The Street of Crocodiles, Measure for Measure and The Master and Margarita, A Disappearing Number, Shun-kin and The Encounter and mentions others.
PL
W ciągu ostatnich trzech dekad można zaobserwować w brytyjskim teatrze odejście od modelu teatru opartego na słowie, którego znaczenia determinowane są przez literacką koncepcję dramatu na rzecz teatru, który korzysta w większym zakresie z autonomii artystycznej teatru. Complicite to jedna z tych grup teatralnych, które stoją za tymi zmianami. W przedstawienich Complicite, temat przemocy pojawia się regularnie i do jej zaprezentowania wykorzystywany jest cały wachlarz środków artystycznych. Artykuł omawia sztuki: Mnemonic, The Street of Crocodiles, Measure for Measure, The Master and Margarita, A Disappearing Number, Shun-kin, The Encounter i kilka innych.
3
Content available remote

Czyja historia, jaka teoria?: Jan Sowa. Fantomowe ciało króla

100%
Wiśniewski T.
Stan Rzeczy
|
2013
|
issue 1(4)
227-235
4

"Księga pamięci Żydów Płocka" / Tomasz Wiśniewski.

100%
Wiśniewski T.
Notatki Płockie. Kwartalnik Towarzystwa Naukowego Płockiego
|
1989
|
vol. 34
|
issue 1 (138)
5
Publication available in full text mode
Content available

Unfinished sentence: on the composition o f‘what is the word’

100%
Wiśniewski T.
Acta Neophilologica
|
2004
|
issue VI
39-47
6
Content available remote

Dobre gotowe narzędzia. Rozmowa z Katarzyną Siergiej

100%
Wiśniewski T.
Konteksty - Polska Sztuka Ludowa
|
2020
|
vol. 74
|
issue 3 (330)
189-190
EN
In this 2013 conversation, Katarzyna Siergiej, who was then one of the leading actresses in Teatr Wierszalin, describes her contribution to the company’s work. She also speaks about notions such as improvisation and role of an actor in the ensemble.
7
Content available remote

Szpargały w teatrze. Kilka słów wprowadzenia do tematu archiwów

100%
Wiśniewski T.
Konteksty - Polska Sztuka Ludowa
|
2020
|
vol. 74
|
issue 1-2 (328-329)
66-68
EN
This short essays presents some thoughts on the status of archives in Polish theatre studies. Historical perspective is taken into consideration, when discussing various approaches to the dichotomy of memory and oblivion. Particular attention is given to performative aspects of theatre archives. In this context, some conclusions are drawn from assumptions expressed by Professor Jan Ciechowicz and concerning objectives of theatrical research.
8
Content available remote

Teatr Wierszalin w czterech odsłonach

100%
Wiśniewski T.
Konteksty - Polska Sztuka Ludowa
|
2020
|
vol. 74
|
issue 3 (330)
193-198
PL
W artykule mowa jest o czterech aspektach pracy twórczej Teatru Wierszalin. Nawiązując do inspirowanego twórczością Brunona Schulza przedstawienia Traktat o manekinach na sopockiej plaży, autor omawia specyfikę nawiązań do twórczości Tadeusza Kantora, czy przedwojennej „Reduty”, a także konsekwencje jednorazowego pokazu w przestrzeni otwartej. Przywołany zostaje również objazdowy charakter niektórych działań Piotra Tomaszuka. Następnie, omówione zostają konsekwencje wyboru Supraśla jako miejsca w którym Teatr Wierszalin podjął i osadził swoją działalność. Podkreślony zostaje również ściśle teatralny wymiar twórczości Tomaszuka, a także jego sakralne odniesienia.
EN
The article concentrates on four different aspects of Teatr Wierszalin, namely: its debt to the tradition of Polish theatre, its affinities with the local problems of eastern Poland, insistent exploration of theatrical potential and fascination with ambiguities of religious notions. It is argued Piotr Tomaszuk has managed to create specific theatrical language that is consistently employed by Teatr Wierszalin.
9
Content available remote

Sznurek i prawdziwe drzwi. Rozmowa z Dariuszem Matysem

100%
Wiśniewski T.
Konteksty - Polska Sztuka Ludowa
|
2020
|
vol. 74
|
issue 3 (330)
191-192
EN
In this 2013 conversation, Dariusz Matys – one of the leading actors of Teatr Wierszalin, speaks about the local background of the company and the exceptional role of stage design.
10
Content available remote

Masters of Performative Liveness, or Celebrating the 40th Anniversary of the Centre of Theatre Practices “Gardzienice”

100%
Wiśniewski T.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 1-2(320-321)
263-267
EN
Held between 28th September and 1st October 2017, the International Festival of Wandering Theatres celebrated the 40th anniversary of the European Centre for Theatre Practices “Gardzienice”. Situated in the remote countryside some 30 kilometres from the city of Lublin, the eponymous village has developed into a European centre of theatre. The festival gathered musicians, theatre practitioners, theoreticians and enthusiasts of many nationalities and all generations and revolved around the theme of the wedding. The première of “Gardzienice’s” latest performance The Wedding – Wyspiański – Malczewski – Konieczny, along with the concert Wyspiański by Konieczny (The Wedding and other dramas) were scheduled as the central events of the festival. yet, some of the less formal gatherings turned into equally prominent events, as they explored performative potential of the ensemble led by Włodzimierz Staniewski. On one such occasion, the founder of “Gardzienice” orchestrated what developed into unforgettable improvisation of choral singing, unorthodox scales, shamanic dance, playing violins, drums and other instruments.
11
Content available remote

Mistrzostwo performatywnej „nażywości”, czyli obchody czterdziestolecia istnienia Ośrodka Praktyk Teatralnych „Gardzienice”

100%
Wiśniewski T.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 1-2(320-321)
258-263
EN
Held between 28th September and 1st October 2017, the International Festival of Wandering Theatres celebrated the 40th anniversary of the European Centre for Theatre Practices “Gardzienice”. Situated in the remote countryside some 30 kilometres from the city of Lublin, the eponymous village has developed into a European centre of theatre. The festival gathered musicians, theatre practitioners, theoreticians and enthusiasts of many nationalities and all generations and revolved around the theme of the wedding. The première of “Gardzienice’s” latest performance The Wedding – Wyspiański – Malczewski – Konieczny, along with the concert Wyspiański by Konieczny (The Wedding and other dramas) were scheduled as the central events of the festival. yet, some of the less formal gatherings turned into equally prominent events, as they explored performative potential of the ensemble led by Włodzimierz Staniewski. On one such occasion, the founder of “Gardzienice” orchestrated what developed into unforgettable improvisation of choral singing, unorthodox scales, shamanic dance, playing violins, drums and other instruments.
12
Content available remote

„Podejrzenia na temat ludzkiej natury”. Rozmowa z Piotrem Tomaszukiem

100%
Wiśniewski T.
Konteksty - Polska Sztuka Ludowa
|
2020
|
vol. 74
|
issue 3 (330)
107-112
EN
In this conversation Piotr Tomaszuk discusses one of his recent production called “Faustus. A New History”. Based on translations of various versions of the myth (Christopher Marlow, Johann Wolfgang Goethe and August Klingemann), the play explores most profound depths of human nature in the past and in the present.
13
Publication available in full text mode
Content available

Integrated Simulation and Regression Framework for Delivery Management in E-commerce

100%
Wiśniewski T.
Problemy Zarządzania
|
2019
|
issue 2/2019 (82)
205-217
EN
Problems with commodities and the delivery of products have accompanied trade since its beginnings. It is not possible to stock up, as there will always be limitations – of storage space, resources or financial resources. The e-commerce sector in the age of Industry 4.0 era faces its own specific problems: on the one hand, customers want customised products fast, on the other hand, shops have to lower storage costs and efficiently manage the supply chain. The paper proposes a framework of simulation modelling with a regression module for shops operating in the e-commerce sector; it is a tool for decision-makers that simulates the ordering and delivering process with a varying number of products, suppliers and a varying demand. The aim is to define a novel approach where computer simulation and regression models are integrated and combined in order to provide decision-makers with information about the average delivery time to customers ordering online products and possible delays. The results of analyses show 90% reliability of the regression model in terms of changes in the average delivery time depending on number of products sold by the shop, demand fluctuation, the number of distributors and the average delivery time of products from the distributor.
PL
Problemy z zapasami i dostawą produktów towarzyszyły handlowi od początku jego istnienia. Nie jest możliwe utrzymanie cały czas wysokiego stanu zapasów, ponieważ zawsze będą istniały ograniczenia – powierzchni magazynowej, zasobów materialnych lub zasobów finansowych. Sektor e-commerce w dobie Przemysłu 4.0 boryka się z własnymi specyficznymi problemami: z jednej strony klienci chcą szybko dostać dostosowane do swoich potrzeb produkty, z drugiej zaś – sklepy muszą obniżyć koszty magazynowania i efektywnie zarządzać łańcuchem dostaw. W artykule proponuje się połączenie modelowania symulacyjnego z modułem regresji dla sklepów działających w sektorze handlu elektronicznego; jest to narzędzie dla decydentów, które symuluje proces zamawiania i dostarczania dla różnej liczby produktów, dostawców i zróżnicowanego popytu. Celem artykułu jest zdefiniowanie nowego podejścia, w którym symulacja komputerowa i modele regresji są zintegrowane i połączone w celu dostarczenia decydentom informacji o średnim czasie dostawy i ewentualnych opóźnieniach do klientów zamawiających produkty online. Wyniki analiz modelu regresji pokazują iż 90% zmian średniego czasu dostawy zależy od liczby produktów sprzedawanych przez sklep, wahań popytu, liczby dystrybutorów oraz średniego czasu dostawy produktów od dystrybutora.
14
Content available remote

Ziemia niejałowa. Rozmowa z Włodzimierzem Staniewskim. Dzień drugi

63%
Wiśniewski T., Gac D.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 1-2(320-321)
330-339
EN
Staniewski’s production of Wesele – a major Polish modernist play by Stanisław Wyspiański – is the starting point for the interview. The conversation, then, deals with the themes of madness and derangement. The motif of the wedding is observed in some earlier works of “Gardzienice” and the difficulty of finding a language adequate for describing the work of the company is mentioned. Wiśniewski points out certain duality that underlies the character of Staniewski himself. Next, the interview focuses on the extent the present form of the European Centre for Theatre Practices “Gardzienice” is a realisation of the potential rooted in a more provocative dimension of Staniewski’s approach. It seems that the gesture of dissent against the surrounding reality of the time is still crucial for the founding myth of the company. The acquisition of knowledge is an imminent part of the actions undertaken by “Gardzienice” and for this reason the relations between the research and the productions is discussed. The conversation attempts to define a distinction between the origins of the ensemble and its present condition and analyses the discussion of Gardzienice’s approach to the creative process and the evolution of the performance itself. Finally, Staniewski wonders whether Wyspiański’s ‘Wesele’ may be treated as a profound play and thus be inscribed in a universal context.
15
Content available remote

Przymierze zbójnickie. Rozmowa z Włodzimierzem Staniewskim. Dzień trzeci

63%
Wiśniewski T., Gac D.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 1-2(320-321)
340-342
EN
Staniewski’s production of Wesele – a major Polish modernist play by Stanisław Wyspiański – is the starting point for the interview. The conversation, then, deals with the themes of madness and derangement. The motif of the wedding is observed in some earlier works of “Gardzienice” and the difficulty of finding a language adequate for describing the work of the company is mentioned. Wiśniewski points out certain duality that underlies the character of Staniewski himself. Next, the interview focuses on the extent the present form of the European Centre for Theatre Practices “Gardzienice” is a realisation of the potential rooted in a more provocative dimension of Staniewski’s approach. It seems that the gesture of dissent against the surrounding reality of the time is still crucial for the founding myth of the company. The acquisition of knowledge is an imminent part of the actions undertaken by “Gardzienice” and for this reason the relations between the research and the productions is discussed. The conversation attempts to define a distinction between the origins of the ensemble and its present condition and analyses the discussion of Gardzienice’s approach to the creative process and the evolution of the performance itself. Finally, Staniewski wonders whether Wyspiański’s ‘Wesele’ may be treated as a profound play and thus be inscribed in a universal context.
16
Content available remote

Przyobłędnienie. Rozmowa z Włodzimierzem Staniewskim. Dzień pierwszy

63%
Wiśniewski T., Gac D.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 1-2(320-321)
325-329
EN
Staniewski’s production of Wesele – a major Polish modernist play by Stanisław Wyspiański – is the starting point for the interview. The conversation, then, deals with the themes of madness and derangement. The motif of the wedding is observed in some earlier works of “Gardzienice” and the difficulty of finding a language adequate for describing the work of the company is mentioned. Wiśniewski points out certain duality that underlies the character of Staniewski himself. Next, the interview focuses on the extent the present form of the European Centre for Theatre Practices “Gardzienice” is a realisation of the potential rooted in a more provocative dimension of Staniewski’s approach. It seems that the gesture of dissent against the surrounding reality of the time is still crucial for the founding myth of the company. The acquisition of knowledge is an imminent part of the actions undertaken by “Gardzienice” and for this reason the relations between the research and the productions is discussed. The conversation attempts to define a distinction between the origins of the ensemble and its present condition and analyses the discussion of Gardzienice’s approach to the creative process and the evolution of the performance itself. Finally, Staniewski wonders whether Wyspiański’s ‘Wesele’ may be treated as a profound play and thus be inscribed in a universal context.
17
Content available remote

Ku przymierzu widowni ze sceną, czyli Wesele… „Gardzienic”

63%
Wiśniewski T., Kręglewska K.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 1-2(320-321)
309-318
EN
Similarly to the earlier work of “Gardzienice”, The Wedding – Wyspiański – Malczewski – Konieczny constitutes a condensed and artistically autonomous universe. On the one hand the production makes extensive use of creative methods that are typical of Włodzimierz Staniewski and on the other employs specific stage language that has been developed by the ensemble. Complex artistic organization of the on-stage reality may be observed not only in the case of a particular performance but also in the broader sequence of events that are named “a theatre marathon”. For this reason, the article focuses not only on a particular staging of Wesele…, but concentrates also on the performative potential of the “marathon” held between 19th and 20th January 2018. Wesele… by Gardzienice is additionally placed in a broader interpretative context.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.