Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 4

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
ES
El artículo trata del arte popular contemporáneo en Bolivia y Perú. La autora presenta detalladamente los retablos de estas zonas, resume la historia de este tipo de objetos desde los tiempos coloniales y presenta sus nuevas funciones hoy en día. La artesanía tradicional de este campo cambia su función de un objeto sacro a un objeto que conlleva mensajes relacionados con los actuales cambios políticos y sociales. El análisis se centra sobre todo en ejemplos procedentes de la época de la Guerra Civil Peruana de 1980–2000 así como en ejemplos bolivianos de la época de los años 2005–2009. Los retablos peruanos de la zona de Ayacucho representan los trágicos incidentes de la guerra civil, la violencia contra la población indígena, los enfrentamientos y el desgraciado destino de la mujer. Los retablos en Bolivia muestran acontecimientos de otra índole, allí vemos el proceso de la toma del poder de Evo Morales y los cambios decisivos dentro de la sociedad boliviana que devolvieron a los habitantes indígenas su importancia.
EN
The article concerns contemporary folk art in Peru and Bolivia. The local retablos are described, their history from colonial period and their new functions in the present time are presented. Traditional products of artesanía have been converted from sacred objects into ones that comment actual political-social changes. The author focuses on examples from the civil war period in Peru 1980–2000 and these from 2005–2009 from Bolivia. Peruvian retablos from Ayacucho region show tragic events of civil war, violence against indigenous Indians, fights and women tragic fate. Bolivian retablos show different type of events – Evo Morales access to power and watershed changes in Bolivian society in which subjectivity of indigenous Indians were restored.
EN
The shock of the lengthy military conflict in Peru changed the demographic, social and cultural outlook of that country. One of the basic elements of this process was uncontrolled mass migration from rural areas to towns, brought about by political violence. Displacement migrations were strongly feminized. Institutional structures that emerged in towns, via women’s self-assistance societies facilitated the migrants’ acclimatization in towns. However, they had to pay a price and to reject their memories of violence by denying the Indian identity of the state and their own. Therefore, these organizations were initially, a significant element of cultural mestization of female migrants. Now it transpires that the same organizations were used by the women and then the assimilated migrants, to exert pressure demanding that the position of women in Peru be changed. Former female migrants, who acquired experience and who, for many years negotiated that their status be acknowledged, had a significantly higher degree of social independence because of their struggle to survive in urban conditions. They were also financially independent and began to successfully demand that their macho environment treat them in a different manner.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.