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I zwierzęta mają historię… O książce Érica Barataya

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Barcz A.
Zoophilologica. Polish Journal of Animal Studies
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2015
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issue 1
309-316
EN
Anna Barcz's review of the Polish version of Le Point de vue animal, une autre version de l'histoire (Zwierzęcy punkt widzenia. Inna wersja historii) by Éric Baratay 
2

Witajcie w Polocenie. Polskie konteksty walki z katastrofą na przykładzie literatury okołopowodziowej po roku 1945

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Barcz A.
Prace Kulturoznawcze
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2018
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vol. 22
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issue 1-2
129-142
EN
The aim of the article is to localise the representative examples of cultural models of behaviour and ways of adapting to the hazardous environmental changes. It is discussed on the basis of so called flood narratives in Polish literature such as Tomasz Różycki’s Bestiarium (2012) and Maciej Płaza’s Skoruń (2015). The author puts a question about the function of the polonocentric, combative model as a pattern of behaviour that emerges from these texts, as well as about the role of catholic religion in the society who cannot cope with more and more unpredictable catastrophic threats (like the flood). The author concludes that this situation is culturally contextualised and results in the social inability to accept a new ecological paradigm in the space and landscape management.
3
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Odra – rzeka ekoparadygmatyczna

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Barcz A.
Poznańskie Studia Polonistyczne. Seria Literacka
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2017
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issue 30
221-235
EN
The author aims at presenting examples of literary descriptions of Odra flooding (especially in the context of the most recent in 1997 and 2010) and the river regions in the perspective of aquacriticism. This approach belongs to a wider concept of ecocriticism which perceives the river as a key part of environment. The question being posed is what kind of influence can be traced in literary texts representing floods and how does literature influence perception of aquatic catastrophes such as floods. Since flood belongs to the catastrophe discourse, it blurs anthropocentric knowledge on rivers and indicates aquacentric modes of recognition. The ecoparadigmatic role of Odra is indicated by Silesian authors (in the collection Wie die Oder rauscht ) and writers biographically connected with the river (Tokarczuk). The environmental function of the river can be better acknowledged through literary fiction that “gives voice to the river”.
4
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Zwierzę figuratywne, figuralne czy retoryczne? Piotr Krupiński: „Dlaczego gęsi krzyczały?”. Zwierzęta i Zagłada w literaturze polskiej XX i XXI wieku. Warszawa, Instytut Badań Literackich PAN. Wydawnictwo, 2016, ss. 356

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Barcz A.
Narracje o Zagładzie
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2017
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issue 3
PL
A Figurative, Figural, or Rhetorical Animal? Piotr Krupiński: „Dlaczego gęsi krzyczały?”. Zwierzęta i Zagłada w literaturze polskiej XX i XXI wieku. Warszawa, Instytut Badań Literackich PAN. Wydawnictwo, 2016, ss. 356. The article A Figurative, Figural, or Rhetorical Animal?… is a review of Piotr Krupinski’s book “Dlaczego gęsi krzyczały?”. Zwierzęta i Zagłada w literaturze polskiej XX i XXI wieku published in 2016 by the Institute of Literary Research Publishing House in Warsaw.
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