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OCZAROWANIE ANGIELSKIM BAROKIEM W GROUND KRZYSZTOFA BACULEWSKIEGO

100%
Świdnicka I.
Ars inter Culturas
|
2016
|
issue 5
349-366
EN
References to the music of the past, and such is the baroque music, was characteristic of many Polish contemporary composers: Tadeusz Baird, Bolesław Szabelski, Krzysztof Penderecki, Zygmunt Krauze and Eugeniusz Knapik among others. This incomplete list should be supplemented with the name of the eminent composer Krzysztof Baculewski. When it comes to baroque forms, he focused his interest on the English ground. Inspired by this form, he composed an orchestral work entitled Ground in 1981. Several sections resembling the composition of a speech can be distinguished in this work: exordium, narratio, confirmatio, confutatio, culminatio, conclusio. Krzysztof Baculewski’s work in a well-thought out and consistent manner alludes to the ground technique and contains each of its characteristic features. It is an example of cantus prius factus in cantum novum of the composer engrossed in the music of the past time, and yet composing in his own, individual, mature language.
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FASCYNACJE KULTURĄ DALEKOWSCHODNIĄ W TWÓRCZOŚCI WŁODZIMIERZA KOTOŃSKIEGO

100%
Świdnicka I.
Ars inter Culturas
|
2015
|
issue 4
249-262
EN
Among those most enchanted by Eastern art in the interwar Poland were: Piotr Perkowski, Aleksander Tansman, Jerzy Gablenz, and Jan Maklakiewicz. The inspiration from Japanese culture was initiated in the late 20th century by Włodzimierz Kotoński – a composer specializing in computer and electronic music. Fascinated by Matsuo Bashŏ’s poetry, Kotoński composed 7 Haiku For Female Voice and Seven Instruments and dedicated the piece to the British soprano, Jane Manning. Not only does Kotoński’s cycle portray the contemplation of nature and the surrounding world, but it also has a touch of subtle sacrum.
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