Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 1 Studia Azjatystyczne

Authors help

  1. 1 Szymczak J.

Years help

  1. 1 2015

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Kinematografia w Kurdystanie. Obraz Kurdów w filmach Bahmana Ghobadiego

100%
Szymczak J.
Studia Azjatystyczne
|
2015
|
issue 1
133-151
PL
Cinematography can be used as a weapon in the battle for identity. Kurdish people are in a constant need to reinvent their national identity. Some of them use cinema as a tool to tell their stories in order not to be forgotten. One of them – a critically acclaimed director from Iran, Bahman Ghobadi is known especially for his cinematic contribution to the Kurdish issue. The article briefly depicts the history of Kurdish cinema and describes in detail the image of Kurds in Bahman Ghobadi's first four feature films - A Time for Drunken Horses (2000), Marooned in Iraq (2002), Turtles Can Fly (2004) and Halfmoon (2006). All these films are not only great pieces of art, full of symbolic images, but they also contain a complex image of the Kurdish nation. Ghobadi uses his camera to tell stories of small, local communities displaced between Iran, Iraq and Turkey, who struggle to maintain their own culture and dignity.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.