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Orfeusz w piekle obrazu (szkic niedokończony)

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Więckowski A.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
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2015
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vol. 20
6-22
EN
ORPHEUS IN THE UNDERWORLD IMAGE (Unfinished Sketch) Orpheus in the Underworld image addresses the issue of knowledge in the arts, especially the rarely recognized difference between the directness of sensations that seem natural and spontaneous, and its construction, which manifests itself in formalized, anterior analysis, which preceded experience. Więckowski considers that ages-old problem in the context of the myth of Orpheus’ descent into Hades and his (Orpheus’); the myth, which was often used in visual arts, music and literature. Więckowski analyzes painting as object and the way to learn through art. As the basis for his analysis, he uses a poem by Rainer Maria Rilke, in which Eurydice, called from hell by the means of poetry, reaches the limits of existence, but due to Orpheus’ mistake, does not cross the threshold of reality. What error did Orpheus make? What lies beneath the mythical gesture: his looking back and looking at Euridice? The answers to these questions are the subject of the essay.
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KIEDY WRESZCIE PRZEMÓWI EURYDYKA?

100%
Więckowski A.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
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2018
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vol. 25
1-39
EN
For the author of the essay When Euridice will speak at last feminism is the eternally negative approach towards patriarchate, which was born with it. It is characteristic that problems mentioned in “Lysistrata” or “As- semblywomen” by Aristophanes in the 5th century BC are identical with the demands of contemporary feminism. Its successes in the 19th and 20th centuries concerning the formal emancipation of women’s rights, in the long run are both meaningful and illusory: the culture of patriarchate while granting women the voting and other rights did not change its pa- triarchal principle, it just alleviated its repressive character on a small fragment of the Western culture, though in this zone of the biggest wom- en’s freedom the forgotten disputes about the rigours of the patriarchate all the time come back to life. The paradigm of the fundamental way of thinking about the world remains unchanged, while the approach to women is just its embodiment. Patriarchate is the means of treating the world as a collection of objects to be used, it is not only an approach towards women. The contemporary culmination of the Western culture as a technological civilisation reaches its limit, whose crossing threatens with a total disaster even in the most optimistic scenarios. In this context the author of the essay perceives feminism as a huge possibility, as one of more important movements in civilisation and culture, which not only will fight for formal rights, but rather for a change of the thinking paradigm from object-oriented to sub- ject-oriented. Euridice – the silent-for-centuries subject of lost love – has to start speaking.
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