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Poeta i śmierć

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Głombiowska Z.

Symbolae Philologorum Posnaniensium Graecae et Latinae

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2016

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vol. 27

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issue 1

143-153

PL

The article concerns Klemens Janicki (1516–1543), a Polish poet who wrote in Latin. The author first presents the character and predilections of the poet (iuvenis iocosus), she also stresses – on the basis of Janicki’s own words – the difference of his fortune when compared with the fortune of Ovid (Naso beatus, the exile and the death). Finally, she analyses his vision of God (Pater blandissimus) and heaven, in which he found consolation in a deadly disease.

2

„Vectes” i „vestes”. Dwie lekcje antycznego tekstu i dwie różne imitacje

100%

Głombiowska Z.

Symbolae Philologorum Posnaniensium Graecae et Latinae

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2021

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vol. 31

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issue 1

85-105

EN

The article shows the Horatian ode III 26 on the background of the votive epigram and in reference to the custom and at the same time the topos of „winning” by violence the house of a lover (frangere postes) and the way of imitating this ode by Filip Buonaccorsi Kallimach in the XXVII elegy and by Jan Kochanowski in the elegy II 11 (in the version preserved in the so-called Osmólski’s manuscript). Callimachus had the text of the ode with the lesson of vestes in verse 7, Kochanowski with the lesson of vectes. As a consequence, in Kallimach’s elegy there is no topos of breaking the door, but the motif of the victorious militia amoris remains, while Kochanowski uses the topos of frangere postes, but departs with love, Lydia and the goddess Venus not with the satisfaction of a victorious soldier, but similarly to Propertius in anger and with a feeling of experienced harm.

3

Lipcowy upał w wierszu Venantiusa Fortunatusa (VII 8)

100%

Głombiowska Z.

Prace Filologiczne. Literaturoznawstwo

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2013

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issue 3(6) cz.2

265-274

EN

The article concerns the first part (v. 1-32) of Venantius Fortunatus’ poetic letter addressed to Lupus, a dignitary in Merovingian Gaul (VII 8). The author analyses a lengthy description of summer, which appears in this text and ultimately emerges as a simile (devoid of introductory ut) or even a metaphor (i.e. a traveller tired of the heat is a poet anxious about the fate of Lupus, while a repose in a grove involves elation over good tidings of his friend; this elation inspires a song, which justifies the creation of the second, eulogic or panegyrical part of this piece). Thus, the epic narrator transforms into the speaker of the lyric utterance. In the present article the subject and the structure of the simile is confronted with fragments of ancient poetry, with special reference to the similes in Catullus’s elegy (c. 68, 55-66) as well as to those in Vergil’s 5th bucolic.

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Poeta i śmierć

„Vectes” i „vestes”. Dwie lekcje antycznego tekstu i dwie różne imitacje

Lipcowy upał w wierszu Venantiusa Fortunatusa (VII 8)