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This study deals with the performances and reception of two compositions by Leoš Janáček in the character of suites for string orchestra, the Suite (1877) and Idyll (1878), and it focuses on analysis and interpretation of programmatic readings of the two works written by Janáček’s friend Berthold Žalud. These programmatic interpretations represent a serious problem for the usual understanding of these compositions as pieces of absolute music.
CS
Studie Miloše Zapletala je věnována dvěma dílům pro smyčcový orchestr "Suita" a "Idylla" od hudebního skladatele Leoše Janáčka. Autor se ve svém textu zabývá jednak recepcí těchto kompozic, druhak se zaměřuje na programní náplň, která byla reflektována i v dobovém tisku.
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