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1

KONŠPIRAČNÉ TEÓRIE A ICH ARGUMENTAČNÉ STRATÉGIE AKO PRÍKLAD IDEOLOGICKÝCH DISKURZOV

100%
Panczová Z.
Slovenský národopis (Slovak Ethnology)
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2011
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vol. 59
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issue 1
8 – 28
EN
Folkloristics has traditionally focused on artistic expressions, which fulfil primarily aesthetic functions. The following paper, however, will be devoted to the genre of conspiracy theories, which I do not consider a folklore genre in the proper sense of the word but rather a narrative genre belonging to the category of rumours. The basic function of conspiracy theories is to mediate and to give a foundation of argument to a certain world-view model based on the motif of a group conspiracy. For the purposes of their genre analysis I have not consider the methods of ´´traditional“ folkloristics as a useful tool, and therefore I have tried to seek other methods proceeding from the distinctive qualities of these communication. As my research field I chose internet discussions, which meant concentrating on the written form of communication. The argumentative character and ideological anchoring of the texts being examined ultimately conditioned the selection of an appropriate research method in the framework of discursive analysis. The paper seeks to represent and offer for discussion the results of this experiment: a genre characterisation of conspiracy theories based on their typical argumentative strategies. My choice of theme in intended at the same time to evoke debate: to what extent is such a thematic and methodological purview acceptable within the bounds of folkloristic? Or if folkloristic paradigms are thus extended, what consequences may follow for Slovak folkloristics in the future?
2

HUMOR A STRACH V POETIKE SÚČASNÝCH POVESTÍ

100%
Panczová Z.
Slovenský národopis (Slovak Ethnology)
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2013
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vol. 61
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issue 2
142 – 154
EN
Although there are many discrepancies in definitions of contemporary legends as a folklore genre, one characteristic seems beyond dispute: the goal of the plot is to excite the interest of the audience through an uncommon (unbelievable) story which is told as if it were true. The expected impacts of such stories are feelings of shock, amusement or fear. It is interesting that in the same genre two such different emotional impacts are dominant, and furthermore they are very often present as parts of the same narrative situation or even in the same story. The aim of this paper is to describe two theories which attempt to explain the common principles of the poetics of horror and humour. They were developed by authors exploring the field of the philosophy or theory of art, but in the view of this author they could be inspiring and useful also in folklore studies.
3

OBRAZ NEPRIATEĽA V POČIATKOCH SLOVENSKEJ POLITICKEJ KARIKATÚRY. VIZUÁLNE STEREOTYPY V ČASOPISE ČERNOKŇAŽNÍK V ROKOCH 1861 –1910

63%
Krekovičová E., Panczová Z.
Slovenský národopis (Slovak Ethnology)
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2013
|
vol. 61
|
issue 1
31 – 54
EN
The goal of this work is to follow both the persistence and the concrete transformation of ethnic and ethic-related stereotypes and their public representations in the processes of the Slovak nationalism in the multinational Hungarian Kingdom in the second half of the 19th century and the first decade of the 20th century. In our article we focused on the visual form of depicting representatives of collective (especially ethnic) identities. We worked on the assumption, that this visual form occupies a specific position in the process of spreading stereotypes and fixing them over time. Especially rewarding objects of investigation for such research are caricatures. As the source material we chose political caricatures published in the popular Slovak humour magazine of this period, Černokňažník [The Wizard]. Through this caricatures we study images of „enemies“(especially in role of „traitor“ or „alien“) in the eyes of Slovak national patriots. In this sense we pay special attention to the figure of the Jew and „maďarón“ - Slovak term for someone who was (sometimes only supposedly) not „native“ Hungarian, but who was defending Hungarian political interests directed against Slovak national emancipation.
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