The article concerns the lyrics by Alexander Eremenko and his large poem“Facing the nature”, as well as literary polemics about the poet’s work. It isshown in which way the montage principle underlying the poem helped theauthor rearrange its parts into smaller lyrical pieces. Also the intertextual links ofA. Eremenko with N.Zabolotskij and other authors are traced.
The article discusses the hypothetical intertextual connections of short autoprose by A. K. Zholkovsky and pseudo-memoirs by M. Hłasko: the latter, possibly, had given an impulse to working out of the “vignette” genre by the Rus-sian writer and linguist.
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