A director, colleague and peer of Pavol Haspra in a recollection feature talks about Haspra as about a director, whose trait is explosiveness, striking colours, sharp edges, rough and loud tones, an expressive abbreviation. He states that Haspra's stagings were built on the actors, and in the last phase he used to build on those 'his' ones who expressed their gratefulness by the professional efforts and perfomances in the plays with a strong dramatic conflict, full of the passion and the wild emotions.
This article presents a spatial distribution of artefacts at Gravettian settlement Pavlov I in south Moravia, Czech Republic. The main aim of this study is ethnoarchaeological approach to this site. It is centred on south-eastern margin of the investigated area. There were uncovered a system of the hearths and settlement unit. Sex-separate working places were found there. The working places are represented with higher frequency of artefacts with traces of use-wear. Heavy industry is more often closed to hearth or shelter.
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