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Shakespeare. Stwarzanie świata Stephena Greenblatta, czyli odkrywczość kulturowej mozaiki

100%
Krystek J.
Poznańskie Studia Polonistyczne. Seria Literacka
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2019
|
issue 35
421-438
EN
The article is an attempt to analyze the narrative and methodological techniques of new historicism. The basis for the analysis was Stephan Greenblatt’s book Will In the Word. How Shakespeare Became Shakespeare, especially because of of creating biographical and intercultural areas. The author of the analysis follows the relations between the truth of narration and historical truth and tries to determine the constituent elements of Hamlet’s author. The author of the analysis traced the relations between two truths: the truth of the historical time and the truth of the narrative time.
2
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Pieśń ku niebiosom. Echa chopinowskie w twórczości Artura Oppmana

63%
Sikorska-Krystek A., Krystek J.
Poznańskie Studia Polonistyczne. Seria Literacka
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2021
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issue 41
227-245
EN
This article presents a cycle of lyrical works entitled Z motywów Chopina (From Chopin’s themes) by Artur Oppman, published in 1893 in the volume Pieśni (Songs). The shape of this cycle had been modified over the years. In 1908, the poet changed its title and expanded it with new works. This change testifies to the evolution of the creative concept and the set of ideas about the function of the composer’s work. Contrary to the opinion rooted in the tradition of research about the conventional approach to the impact of Chopin’s work presented in Oppman’s lyrical poetry, the authors of the article demonstrate a far-reaching originality of the discussed work, focusing their attention both on issues related to understanding the narrowly-defined poetological knowledge and on the problem of translating musical means of expression into the language of a literary work.
3
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Włodzimierz Odojewski’s writing archive in the light of genetic criticism. Initial study

51%
Krystek J., Nawrot J., Nowakowska D.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2019
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vol. 55
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issue 4
131-145
PL
Artykuł składa się z dwóch części. Pierwsza obejmuje prezentację zbiorów Archiwum Włodzimierza Odojewskiego w Poznaniu i refleksję nad metodą twórczą pisarza, a druga przedstawia zarys perspektyw badawczych w dziedzinie krytyki genetycznej, które otwierają zgromadzone w tymże archiwum materiały. Autorzy zastanawiają się nad tym, jak można badać maszynopisy i rękopisy pisarza oraz jak powinno się opracowywać je edytorsko, mając na uwadze indywidualny sposób pracy Odojewskiego.
EN
The article consists of two parts. The first includes a presentation of the records collected in the Archive of Włodzimierz Odojewski in Poznań and a reflection on the writer’s creative method. The second part presents an outline of research prospects in the field of genetic criticism, which opens materials gathered in that archive. The authors discussed how to study typescripts and manuscripts of the writer and how editors should prepare them, bearing in mind Odojewski’s specific work method.
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