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Adiekcje we współczesnych polskich przekładach Listu do Filemona

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Kubski G.

Poznańskie Studia Teologiczne

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2019

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issue 34

41-53

EN

A broadly understood concept of adjection used in rhetoric comprises various types of verbal and content references. This figure of speech plays an important role in the texts of the Holy Scripture as it shapes the literary construction of the world portrayed by the hagiographers and in consequence bears an impact on the message that they convey. New Bible translations into Polish usually focus on the communicative clarity of the vocabulary chosen, and are less frequently concerned with harmonizing the different levels of the text. The present paper compares eight contemporary Polish translations of the Letter to Philemon together with accompanying commentaries. Among other things, attention is drawn to such elements as the deployment of the etymology of the name Onesi- mus and its connection with the word Christos, the recurrence of the concept of “good”, emphasis on or omission of the connotations of the theme of fight. The interpretations of verses 1, 9, 10 and 14 are set apart since contain metaphors or metonymy. Respect for or reduction of the semantic function of the anaphora and epiphora is examined. The translators of the Letter to Philemon, com- pared to the translators of other books of the Bible, showed greater appreciation, though in varying degrees, of the meaning-formation value of adjection. Perhaps this is due to the shortness of this piece of writing by St. Paul, as fewer textual elements are easier to harmonize.

2

Ćwiczenie duchowe zapisane przez hierofanta. Psalmy przyszłości Zygmunta Krasińskiego

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Kubski G.

Poznańskie Studia Teologiczne

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2012

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issue 26

259-292

EN

Psalms of the Future by Zygmunt Krasiński once belonged to a group of the most important patriotic-religious literary works in Polish culture and address Poles as a priestly people. In the poet’s output the Psalms are a work abounding in biblical reminiscences more than any other of his poetical productions. Although they do not repeat the formal features of the Polish translations of the biblical Psalms, in the initial period of their public reception no doubts were raised concerning their genre. In Romanticism they were perceived to be a collection of psalms according to the then accepted determinants of the genre. The following determinants were taken into account: the message pertaining to the practice of the virtues of faith, hope and charity, the construction of the subject who reaches out for the mystery of things divine (here the influence of Byron’s Hebrew Melodies can be seen) and the religious zeal of the entire utterance, patriotic commitment included. In the latter case the traditions of Classicism were a significant influence. As a seer-poet, but also a hierophant-mystagogue, Krasiński prescribed spiritual exercises to his fellow countrymen. Krasiński's Psalms are in their esoteric-hermetic content inspired, among others, by the texts of the great French religious poet Victor de Laprade.

PL

Psalms of the Future by Zygmunt Krasi?ski once belonged to a group of the most important patriotic-religious literary works in Polish culture and address Poles as a priestly people. In the poet’s output the Psalms are a work abounding in biblical reminiscences more than any other of his poetical productions. Although they do not repeat the formal features of the Polish translations of the biblical Psalms, in the initial period of their public reception no doubts were raised concerning their genre. In Romanticism they were perceived to be a collection of psalms according to the then accepted determinants of the genre. The following determinants were taken into account: the message pertaining to the practice of the virtues of faith, hope and charity, the construction of the subject who reaches out for the mystery of things divine (here the influence of Byron’s Hebrew Melodies can be seen) and the religious zeal of the entire utterance, patriotic commitment included. In the latter case the traditions of Classicism were a significant influence. As a seer-poet, but also a hierophant-mystagogue, Krasi?ski prescribed spiritual exercises to his fellow countrymen. Krasi?ski's Psalms are in their esoteric-hermetic content inspired, among others, by the texts of the great French religious poet Victor de Laprade.

3

Dzieło zamknięte księdza Mariana Wolniewicza, czyli nieznana liryka poznańskiego biblisty

100%

Kubski G.

Ecclesia. Studia z Dziejów Wielkopolski

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2011

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issue 6

259-271

EN

Rev. Prof. Marian Wolniewicz is one of the most outstanding contemporary biblical scholars of the Poznań theological milieu. From his youth until the end of his life (t 2005) he wrote personal lyric poetry. A selection of his poems was published posthumously by the Theological Faculty of Adam Mickiewicz University in a volume titled A Spiritual Diary in Verse edited by Feliks Lenort with an introduction by Zdzisław Grzegorski, a theologian and scholar of Polish literature. The poems predominantly express man's religious experience through impressions of the moment and feelings evoked by sights of the landscape, but the lyric subject does not define himself through realities characteristic of a priest and theologian. In his poetic attitude Rev. Marian Wolniewicz was inspired by the poetry of Wojciech Bąk and the French symbolists. Similarly to Stephane Mallarme he fulfilled the concepts of subsequent poems as a continuation of one single oeuvre which would finish with the death of the author. His last poetic notation was also his last attempt to translate a verse from the Gospel according to John.

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Śp. ks. prof. Marian Wolniewicz – egzegeta, tłumacz Biblii i wytrwały popularyzator (1919-2005)

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Kubski G.

Ruch Biblijny i Liturgiczny

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2006

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vol. 59

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issue 2

5

On the Imagination of the Author of the Treatise Our Father

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Kubski G.

Wrocławski Przegląd Teologiczny

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2020

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vol. 28

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issue 2

PL

Polski filozof romantyczny August Cieszkowski pisał traktat egzegetyczny i zarazem historiozoficzny – Ojcze nasz, komentarz do Modlitwy Pańskiej, oparty na interpretacji setek wersetów biblijnych. Poloniści wskazywali na wartości literackie tego tekstu, a to implikuje kwestię wyobraźni autora. W artykule uwzględniono eksplicytnie wyrażony przez filozofa oraz implikowany jego tekstem pogląd na temat wyobraźni. W końcowej części artykułu opisano niektóre cechy wyobraźni odzwierciedlone w traktacie. Dzieło Cieszkowskiego ma wiele wspólnego z poezją wieszczów, autor traktuje ich jako proroków (za takich uważa również uczonych). Mimo to nie ma w tekście obszerniejszych stwierdzeń na temat wyobraźni – podstawowej w wypadku poezji. Nawet padają sporadyczne uwagi marginalizujące tę władzę duchową. Są za to stwierdzenia o wartości wypowiedzi, które przez poruszenie uczuć prowadzą człowieka do Boga. To kazania oraz pieśni kościelne. Niejeden fragment Ojcze nasz retoryką zbliża się do takich kaznodziejskich paradygmatów. Kategoria wyobraźni teologicznej w analizie Ojcze nasz pozwala uznać typ wyobraźni autora za ewidentnie teologiczny. Potwierdza spostrzeżeniową funkcję wyobraźni opartą na wierze – historia jest odczytywaniem przez treści Objawienia Bożego. Interpretatywna zdolność zmierza do proklamowania „Ducha Świętego Króla wiekuistego”. Zaangażowanie etyczne znamionuje kognitywną rolę wyobraźni. Dyskurs ciągle oscyluje między „już” a „jeszcze nie” ery Ducha Świętego.

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Adiekcje we współczesnych polskich przekładach Listu do Filemona

Ćwiczenie duchowe zapisane przez hierofanta. Psalmy przyszłości Zygmunta Krasińskiego

Dzieło zamknięte księdza Mariana Wolniewicza, czyli nieznana liryka poznańskiego biblisty

Śp. ks. prof. Marian Wolniewicz – egzegeta, tłumacz Biblii i wytrwały popularyzator (1919-2005)

On the Imagination of the Author of the Treatise Our Father