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EN
The main goal of my PhD thesis is socio-cultural interpretation of architectural space in Medieval Irish castles. Furthermore, I intend to discuss the way archaeologists think and write about the past. The first part of the PhD thesis is an attempt to define my own understanding of concepts such as memory, tradition, culture, society, social order, power, architecture, cultural spacetime, language, and narration. The idea of the past is not only concerned with past events. Its picture is created by present perception and future expectations. These play a key role in the way in which we create cause and effect relationships, which is to provide foundations for the structure of past narratives. Consequently, our idea of the past and its meaning shifts dynamically according to our expectations and social context. This is also fundamental for constructing cultural identity. In archaeology, this problem has a form of relationships between archaeological data and the past. I believe artefacts can only be seen as an inspiration for different pictures of the past created by archaeologists. They may have lost their connection with the past and become an element of the present context. The second part of my PhD thesis concerns social relations in Medieval society. This is based upon analysis of the elite architecture in Ireland. The most important research issueconcerns the meaning of architectural space in castles. This comprises the followingquestions: How did the architecture reflect social status of its inhabitants? In what ways might the arrangement of the interior have influenced social practice? What was the perception of elite architecture by non-elite groups? The cultural construction of architectural time and space is related to social order and group identity. I believe that searching for meaning of the symbolism involves thinking about castles as a metaphor of theatre or stage of social life. We need to understand not only the symbolic meaning of every individual detail but also their mutual relationships and purpose. There are approximately 3,500 castles in Ireland surviving to the present day. The late Medieval Ireland was possibly the most heavily castellated part of Western Europe. Numerous and constant wars between the Anglo-Norman aristocracy and the indigenous Gaelic Chieftains led to social unrest and anxiety. It was also one of the main reasons for the rapid development of castles. History of architecture can be considered as a history of human society. Changes of style and design are in fact often related to social conflict, which not only gives impetus to the development of the art but can also be destructive. Irish castles are indicative of such conflict.
PL
This paper is an attempt to compare selected software options for processing of LiDAR data. It is focused on filtration and classification of the ground points for the purpose of archaeological sites identification. We confronted popular commercial Terrasolid software with LAStools released under the LGPL license. To accomplish this task we used data gathered in the frame of ISOK project (Computerized Information System of Country Protection from Extraordinary Hazards), implemented in Poland several years ago. In order to examine the effectiveness of the software algorithms we selected well-known archeological sites of various landforms (barrows, megaliths, hill forts) to perform the test. Obtained results were compared with the classification provided within the source data of the ISOK project. It allowed us to indicate the advantages and disadvantages of each tested solutions.
PL
Application of airborne laser scanning (ALS) for archaeological purposes allows for identification of relief features. Unless the detection is automated, the recognition of archaeological objects in the observed dataset is bounded by the interaction between human mind, eye and visual phenomena that are displayed on the screen. To improve effectiveness of ALS interpretation several visualization techniques have been developed. However, due to their complexity the spatial information produced by these algorithms differs. The aim of the paper is to present the discrepancies between the most popular visualization techniques used for archaeological purposes. Unlike previous attempts, the presented comparison is based on the vector outputs of the interpretative mapping. Therefore, we demonstrate in detail the differences in the morphology as well as quantity of identified archaeological features due to the use of various visualization techniques.
EN
In this article the outcomes of historical, archaeological, spatial and anthropological research concerning material remnants of the war cemeteries left by the Great War in Central Poland, in the area of Rawka and Bzura are presented. On the example of one of the four communes (Nowa Sucha) subjected to research under the project Archaeological Revival of Memory of the Great War (ARM), the processes of creation, transformation, decay, destruction and re-making present the resting places of the soldiers fallen between December 1914 and July 1915 are shown. In the first part, we sketch the output atmosphere that accompanied the primary context in which war cemeteries were established and place the war cemeteries in the network of social, formal and legal determinants. In the second part, we frame the historical and social contexts in which the resting places of the fallen soldiers of the German and Russian armies were massively created. Than, we show the difficulties associated with locating particular war cemeteries and signal strengths and obstacles in correlating results of archival research and use of remote sensing and archaeological methods in order to restore the memory of war cemeteries and establish their current and future condition as material warnings. Also we stress the looping of cultural and natural factors both in the process of protecting and destroying material condition of war cemeteries. Finally, on the example of one of the cemeteries we show how slow and arduous but at the same time  promising can be the process of transformation from a forgotten/plowed cemetery into a place of/in memory, and as an agent struggling with the continuous nature-cultural transformations.
PL
In this article the outcomes of historical, archaeological, spatial and anthropological research concerning material remnants of the war cemeteries left by the Great War in Central Poland, in the area of Rawka and Bzura are presented. On the example of one of the four communes (Nowa Sucha) subjected to research under the project Archaeological Revival of Memory of the Great War (ARM), the processes of creation, transformation, decay, destruction and re-making present the resting places of the soldiers fallen between December 1914 and July 1915 are shown. In the first part, we sketch the output atmosphere that accompanied the primary context in which war cemeteries were established and place the war cemeteries in the network of social, formal and legal determinants. In the second part, we frame the historical and social contexts in which the resting places of the fallen soldiers of the German and Russian armies were massively created. Than, we show the difficulties associated with locating particular war cemeteries and signal strengths and obstacles in correlating results of archival research and use of remote sensing and archaeological methods in order to restore the memory of war cemeteries and establish their current and future condition as material warnings. Also we stress the looping of cultural and natural factors both in the process of protecting and destroying material condition of war cemeteries. Finally, on the example of one of the cemeteries we show how slow and arduous but at the same time promising can be the process of transformation from a forgotten/plowed cemetery into a place of/in memory, and as an agent struggling with the continuous nature-cultural transformations.
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