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EN
In recent years, a move towards social, cultural-psychological and distributed research perspectives on creativity has been witnessed within the social- and human sciences. Glăveanu is one of the most prominent advocates for this new line of research. In the present commentary, I will share my concerns as to why this move is important and vital for the field of creativity research, but I will also raise my sense of fear by the proposed direction of model unity and coherence as suggested by Glăveanu. On the contrary, we may need to tolerate and respect the diversity of perspectives and enjoy the fruits of cross-disciplinarily research, not needing to reach any state of unity. In this sense, a way out of ‘crisis’ could be that we respect, variations and even differences, and instead of coherence establish meeting places and spots where divergent perspectives can be celebrated.
EN
What is the life of an idea? How do some ideas result in creative outcomes? People interested in creativity often want to know the answers to these questions. Although there are numerous methods and measures for assessing creative persons and products, there is little by way of methods for documenting and analysing the trajectories of ideas. The purpose of this paper is to address this need by introducing a new approach for tracing and analysing ideational pathways. Ideational pathways refer to the trajectory of ideas in temporal and spatial dimensions. That is, how ideas travel through time and space and whether those ideas end up resulting in creative outcomes. We open the paper by providing a theoretical and conceptual background for ideational pathways. We then introduce an emerging approach for tracing these pathways and apply it to two examples. We close by discussing implications and directions for future research.
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