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EN
The article introduces the circumstances surrounding the beginnings and ends of marriages of Elżbieta Branicka coat of arms Korczak (1732/33–1800) with twomembers of the Sapieha family – Jan Józef Kalasanty, the voivode of Smolensk, and Jan, the voivode of Mścisław. The work includes a discussion and elaboration of scarce pieces of information concerning the time of her birth and the period preceding her first marriage. It also presents an analysis of the original assignment of Teatrum myśli… (1780) by Wenanty Tyszkowski, which focuses on a lady‘s glorious portrait in her maiden age. The main part of the article is opened by the presentation of the state of knowledge about the castellan’s daughter marriages. It is followed by a critical reading of unknown or superficially exploited sources revealing the backstage of these relationships: press reports on wedding ceremonies and the death of her second husband, the Latin decree of the church court in the case of annulment of the first marriage, a draft of an insurance script, in which the bride’s parents determined the amount and conditions for paying her dowry, fragments of Marcin Matuszewicz’s memories and letters from spouses addressed to Jan Klemens Branicki, Grand Crown Hetman. The context for new findings are conclusions and suggestions of researchers of the 18th century magnates of Poland and Lithuania.
EN
The paper is devoted to occasional laudatory verses which were written to honour princess Elżbieta Sapieżyna (née Branicka) and the members of her closest family – son Kazimierz Nestor Sapieha, General of the Lithuanian Artillery and brother Franciszek Ksawery Branicki, Great Crown Hetman. The begining of the article reminds of already known literary works containing complimentary images of the female aristocrat. The main object of author’s interest are pieces that have not been noticed by scholars of the eighteenth-century political writings. These are: anonymous ode written in 1784 in connection with arrival of Sapieżyna to Prienai (pol. Preny) in Lithuania and collection of four verses created by Wojciech Zacharkiewicz, who thereby added splendour to the Franciszek Ksawery Branicki’s coming to Warsaw for parliamentary sitting of the Great Sejm and to election of Kazimierz Nestor Sapieha for the Marshal of lithuanian confederation. The author discussed circumstances of the creation, main motifs of content and artistic composition of laudatory images of addressees. Furthermore he determined connections of these verses with then popular genres of occasional poetry and put Sapieżyna’s complimentary portraits in context of manners of creation women’s images in literary works of that time.
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