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Słowo w kadrze. Literatura i fotografia. Fotografia i literatura

100%
Koszowy M.
Rocznik Komparatystyczny
|
2014
|
vol. 5
p. 249-263
EN
The paper covers theoretical, culture-related basic research on the comparative analysis of the theory of visual arts and the literary theory. It focuses on the anthropological and cultural analysis of the contemporary phenomenon of mutual penetration of arts. The purpose of the research is to gain knowledge on the social and cultural transformations on the basis of an analysis of a discourse in the photographic and literary attempts. The hybrid (photography and literature) will be the research material in this project. The thorough consideration of the relations between photographic images and text, and their structural dependencies, has not been done yet. The assessment of the social aspect of the changes – the impact of the hegemony of an image on the model of perceiving and on the cultural representation – has also been omitted. The purpose of this paper is, therefore, the acquisition of knowledge on the two phenomena which shape the contemporary model of culture in the perspective of historical changes. Both literature and photography are currently and historically the basic models of representation, which also record the changes in the perception of the world. The present transformation of the relation between the analysed fields has not yet been properly and innovatively described.
2

Obecne nierzeczywiste. Apofatyczna reprezentacja jako agon na przykladzie prozy Magdaleny Tulli

100%
Koszowy M.
Pamiętnik Literacki
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2013
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vol. 104
|
issue 1
111–133
EN
The paper raises the issues connected with the fight for preserving life in language and for a creative language from the perspective of agonic theory of Harold Bloom’s “anxiety of influence” and Jacques Lacan’s conception of the real. As exemplified by Magdalena Tulli’s prose the author proves that the negative (apophatic) attempt at representation in that non-mimetic model of writing breaks the deadlock of Lacanian trap in the reality concealing structure and the lack of it – object petit a through its disclosing. Tulli continuously attempts at presentation which cannot be completed as it exists in the texts in an incredible way and requires reiterating the act of creation. She builds the world which is being created, incomplete, insufficient and at every moment open to collapse. It is the world in which attempts at representation fail in order to open space for following representations. The world, though hardly accessible, exists and existed. Language is not only an instrument of description but also, and first and foremost, an instrument of creation set facing the reality. Tulli recalls literary reality in the act of speaking, builds narration devised for the world from language, clusters of words, and figurations of tropoi.
3
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Jadąc do Abony. Fotograficzne podróże Andrzeja Stasiuka

100%
Koszowy M.
Świat Tekstów. Rocznik Słupski
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2008
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vol. 6
89-100
EN
This analysis of Andrzej Stasiuk’s novel Jadąc do Babadag is undertaken from a narratological, genological and philosophy-of-history standpoint. It attempts at describing the ope-rations carried out by the writer on the story he has authored. Narration is recognized as being enchanted and extrapolated from the figure of a photograph which forms a fetish but also, an inspiration for the space being described and for how time is reflected upon. As the engine of the narrative and actual reason for taking a trip, inspiration of a narrative method, the way of coding the reality and a figure which can best describe a human’s existence in time and space – according to Stasiuks’s concept – photography shows a tragic tear between the need to record things and death, between an uncertain prospect of infiniteness and mortality.
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