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EN
The paper presents poetically and politically conditioned changes in the interpretationof the literature of the Croatian National Revival period as “Romantic”.It indicates that these phenomena should necessarily be viewed in mutual (inter)action. It states that the Croatian National Revival, as a period that is most frequently demarcated by the years 1835 and 1848–49 in the so-called general historiography, is a necessary framework for the periodisation and understanding of the history of Croatian literature too. This framework does not exclude the necessity of including the concept of Romanticism in the study of Croatian literature of this period, which was strongly influenced by Romantic trends. And consequently it is a stage in a longer period of manifestation of Romantic features in Croatian culture and literature of the 19th century.
EN
The paper begins by asserting that the historical novels of Ksaver Šandor Gjalski have received special treatment in Croatian literary historiography, which tends to ascribe to them a more a documentary and historiographic rather than literary value. This paper will analyse the Romantic, realist and modernist features of Gjalski’s historical novels Osvit. Slike iz tridesetih godina (Dawn. Pictures from the [18]30s) (1892) and Za materinsku riječ. Slike iz četrdeset osme godine (For the Maternal Word. Pictures from [18]48) (1906). In the light of theories of histories as stories (narratives), this paper will indicate that their so-called documentary value isattributable to literary strategies that are used to interpret the past they represent in a specific way, and not to record what is assumed to be the authentic past.
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