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Świat poetycki Nadziei Artymowicz i Miry Łukszy. Podobieństwa i różnice

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Twaranowicz H.
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia
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2020
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vol. 38
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issue 2
EN
The phenomenon of creativity of the members of the Belarusian Literary Association “Belavezha,” which was founded in 1958 in Białystok, has been attracting the attention of researchers of the literature for a long time. Recently, the multigenerational “female” poetry (Alena Anishevskaya, Maryla Bazylyuk, Zhenya Martynyuk, Lidia Malinovska, Justyna Karolka, Viyaleta Nikityuk, Katsyaryna Senkevich) has been arousing considerable interest. The article analyses the works of Nadezhda Artymovich and Mira Luksha – the brightest representatives of “Belavezha” with their expressive poetic world. We analyse the problem of tradition and innovation, the directions of different development of topics and motifs in their poetry so that we can see the components that are common to them and those that are definitely unique for each of them. The comparative and descriptive-analytical methods were used in the process of investigation.
PL
Celem artykułu jest przedstawienie fenomenu twórczości członków Białoruskiego Stowarzyszenia Literackiego „Białowieża”, które powstało w 1958 roku w Białymstoku i od pewnego czasu znalazło się w kręgu zainteresowań badaczy literatury, a wpisuje się w nurt białoruskiej literatury Polski. W ostatnim czasie znaczne zainteresowanie wywołuje wielopokoleniowa poezja „kobieca” (Alena Aniszewska, Maryla Bazyluk, Żenia Martyniuk, Lidia Malinowska, Justyna Korolko, Wioleta Nikiciuk, Katarzyna Sienkiewicz). W artykule analizowana jest twórczość dwóch najbardziej wyrazistych a zarazem przeciwstawnych poetyk oraz światów poetyckich – Nadziei Artymowicz oraz Miry Łukszy. Analizie poddano problem tradycji i nowatorstwa, kierunki odmiennego rozwoju tematyki i motywów w ich poezji, co pozwoliło wyodrębnić te elementy, które są dla obu poetek wspólne, a także te które charakteryzują ich warsztat literacki w sposób niepowtarzalny. W procesie badawczym wykorzystano metodę komparatywistyczną oraz opisowo-analityczną.
RU
Феномен творчасці сяброў Беларускага літаратурнага аб’яднання “Белавежа”, якое ўзнікла ў 1958 годзе ў Беластоку, здаўна прыцягвае пільную ўвагу даследчыкаў літаратуры. Апошнім часам значную цікавасць выклікае “жаночая” паэзія, прадстаўленая паэткамі розных пакаленняў (Алена Анішэўская, Марыля Базылюк, Жэня Мартынюк, Лідзія Маліноўская, Юстына Каролька, Віялета Нікіцюк, Кацярына Сянкевіч). У артыкуле аналізуецца творчасць Надзеі Артымовіч і Міры Лукшы – найбольш яркіх прадстаўніц “Белавежы” са сваім выразным паэтычным светам. Аналізуюцца праблемы традыцый і наватарства, ідэйна-тэматычны характар іх паэзіі, што дае магчымасць выдзеліць агульнае і адрознае, непаўторнае для кожнай з паэтак.
2
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Да праблемы развiцця беларускай духоўнай паэзii: творчасць Зьнiча (Алега Бембеля)

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Twaranowicz H.
Studia Wschodniosłowiańskie
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2020
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vol. 20
113-125
EN
The article analyses the biographical and creative path of Znicz, the Belarusian poet, philosopher and conservatory graduate. His poems consistently express spiritual search, which is characterized by the author’s dominant theocentric worldview (in 1996 Aleh Biembiel took the monastic vows of Zhyrovichy Monastery). Znicz’s poetry continues the excellent tradition of his great predecessors – ascetics and penitents. His poetry reveals the pursuit of reconciliation on the basis of unquestionable millennium-old Christian values with the fundamental values of the nation state, especially within the understanding of the concept of patriotism.
3
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Диариуш Афанасия Филипповича и Житие протопопа Аввакума: типологические схождения в историческом контексте

100%
Twaranowicz H.
Studia Wschodniosłowiańskie
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2021
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vol. 21
75-90
EN
A leading position in the 17th century Belarusian literature is occupied by Afanasij Filipovich, a writer and publicist, a political and Orthodox Church activist. His “Diariuš”, an autobiographical work is one of the most distinctive examples of polemic publicity devoted to the fight against the Brest Union in 1596 and its tragic consequences. Meanwhile, a special place in the 17th century Russian literature is occupied by protopop Avvakum’s “Žitie” – a remarkable first apostle and a symbol of the Old Believers movement whose life experience served as the first autobiography in Russian literature. Afanasij Filipovich’s “Diariuš” and protopop Avvakum’s “Žitie” present sufficient grounds for considering various typological similarities and parallels in authors’ fate and the pathos of their works. New principles of the selfawareness of an individual and the ways of expressing them are present in the works of Belarusian and Russian writers.
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