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DE
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EN
Histories of literature mirror views and experiences of their own age and thus are constantly being rewritten. This is true also for the history of Old Belarusian literature. The short introductions and comprehensive overviews, written in the period between the Thaw and the Lukashenko era (1956–2010), contain astonishingly different constructions of the literary past. The article analyses a dozen books in Belarusian, Russian and English and it singles out the most import changes, such as the role of the literature of Kyivan Rusʹ or periodization. However, the most prominent development is the step-by-step recognition of the multilingual nature of the literary heritage. This concerns the existence of texts not only in Eastern Slavonic varieties, but also in (Old) Church Slavonic, the discovery of Neo-Latin authors, and finally, the rehabilitation of Polish as a language of Belarusian literature. Although Old Belarusian studies in the post-Soviet years have been a field of innovation and reevaluation, even the most actual syntheses contain blind spots. The existence of texts in Lithuanian and the literary production of ethno-cultural minorities are hardly ever even mentioned. The idea of one common language has been given up, but the history of literature still deals with texts by representatives of one ethnos that inhabit one territory
PL
Historia literatury odzwierciedla system światopoglądowy swoich czasów, dlatego jest niezmiennie aktualizowana. Dotyczy to także historii literatury starobiałoruskiej. Zarówno w krótkich szkicach, jak i szczegółowych przeglądach literackich, powstałych od odwilży do ery Aleksandra Łukaszenki (1956–2010), odnajdujemy zadziwiająco różne rekonstrukcje twórczości literackiej. W artykule przeanalizowano kilkanaście książek napisanych w języku białoruskim, rosyjskim i angielskim, przedstawiono ich periodyzację oraz rolę, jaką przy ich powstaniu odegrała spuścizna literacka okresu Rusi Kijowskiej. Celem badania było omówienie wielojęzycznego charakteru starobiałoruskiego dziedzictwa literackiego. Jako obiekt analizy autor obrał teksty wschodniosłowiańskie, (staro)cerkiewnosłowiańskie, nowołacińskie, jak również należące do literatury białoruskiej utwory polskojęzyczne. Chociaż w latach postradzieckich studia starobiałoruskie uważano za innowacyjne, nawet najbardziej aktualne syntezy zawierają luki badawcze. W literaturze przedmiotu o istnieniu tekstów w języku litewskim i twórczości literackiej mniejszości etniczno-kulturowych prawie w ogóle się nie wspomina. Zrezygnowano z idei wspólnego języka, ale historia literatury wciąż zajmuje się tekstami przedstawicieli jednego etnosu zamieszkującego jedno terytorium.
RU
Гісторыя літаратуры адлюстроўвае светапогляд і досвед свайго часу і таму пастаянна перапісваецца. Гэта датычыць і гісторыі старабеларускай літаратуры. Кароткія агляды, як і грунтоўныя даследванні, створаныя ў перыяд паміж адлігай і эпохай Лукашэнкі (1956–2010), утрымліваюць надзіва розныя карціны літаратурнага мінулага. У артыкуле разглядаецца шэраг прац на беларускай, рускай і англійскай мовах, прасочваюцца найбольш істотныя змены: у падыходзе да перыядызацыі альбо ў разуменні ролі літаратуры Кіеўскай Русі. Аднак найбольш прыкметным з'яўляецца паступовае прызнанне шматмоўнасці літаратурнай спадчыны. У даследаваннях пачынаюць разглядацца тэксты не толькі на ўсходнеславянскіх мовах, але і на (стара)царкоўнаславянскай, адбывааецца адкрыццё неалацінскіх аўтараў і, нарэшце, рэабілітацыя польскай мовы як мовы беларускай літаратуры. Нягледзячы на тое, што даследаванні старажытнай Беларусі ў постсавецкія гады мелі інавацыйны характар і шмат што пераасэнсавана, белыя плямы ёсць нават у найноўшых працах. Амаль не згадваецца пра існаванне тэкстаў на літоўскай мове і літаратурную творчасць этнічных меншасцей. Ад ідэі адной агульнай мовы адмовіліся, але гісторыя літаратуры ўсё яшчэ займаецца тэкстамі прадстаўнікоў аднаго этнасу, якія насяляюць адну тэрыторыю.
EN
The publication of a Latin-English edition of Nicolaus Hussovianus’ “Carmen de bisonte” in 2019 is a highly significant event as it makes this canonical text of Old Belarusian (as well as Lithuanian) literature accessible to a broad, international and interdisciplinary audience. This article analyses in detail the merits and shortcomings of Frederick J. Booth’s edition. It proposes some alternative translations, adds information that was not accessible to the classical philologist, and highlights the relevance of recent discoveries that change our knowledge about Hussovianus’ origin and biography. Designed as a kind of interface between research communities that are scarcely connected, the article demonstrates what we can and should learn from each other.With emphasis on the significance of working with the original old print, a subchapter of the article acquaints the reader with the figures in “Carmen de bisonte” and analyses the emblem on the last page of the book. It shows a picture of the Roman god Terminus, framed by quotes in Latin, Greek, and Hebrew. This emblem served in the 1520s as a printer’s device for a “humanistic series” of the Krakow publisher Hieronymus Vietor. The fact that it was built upon an iconic symbol used by Erasmus of Rotterdam exemplifies what aroused Booth’s initial interest in CdB: the pan-European scope of Neo-Latin literature and the close connectedness of regions which in his academic youth were separated by the Iron Curtain.
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