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Dwie drogi – Teatr Laboratorium i The Living Theatre

100%
Ostrowska J.
Pamiętnik Teatralny
|
2000
|
vol. 49
|
issue 1/4
607-618
EN
This article juxtaposes and comments on selected aspects of the concepts and practice of two theater groups-The Laboratory Theater and The Living Theatre. The authors discusses both differences and similarities, as well as parallel elements resulting from socio-cultural circumstances. She highlights the recognition that both groups similarly diagnosed reality and the situation of humans in culture, as well as considered theater as a tool that could transform this situation. However, they proposed different solutions and had different goals. The author compares the attitude of the two groups to the audience and the proposed means of its involvement in a theatrical event, linking this issue to broader concepts of communication in theater and art. The article also analyzes the attitude of Jerzy Grotowski, Julian Beck, and Judith Malina to counterculture and anarchist ideas. The analysis is based on the artists’ texts and the reception of selected performances.
PL
W artykule zestawiono i skomentowano wybrane aspekty idei i praktyki dwóch grup teatralnych – Teatru Laboratorium i The Living Theatre. Autorka omawia zarówno różnice, jak i podobieństwa oraz elementy paralelne, wynikające z okoliczności społeczno-kulturowych. Podkreśla, że obie grupy podobnie diagnozowały rzeczywistość i sytuację człowieka w kulturze oraz uważały teatr za narzędzie, które może tę sytuacje zmienić, proponowały jednak odmienne rozwiązania i miały różne cele. Porównuje stosunek obu grup do publiczności i proponowanych przez nie sposobów jej angażowania w teatralne wydarzenie, wiążąc to zagadnienie z szerszymi koncepcjami komunikacji w teatrze i sztuce. Analizuje także stosunek Jerzego Grotowskiego, Juliana Becka i Judith Maliny do kontrkultury i idei anarchistycznych. Podstawą analizy są teksty artystów oraz recepcja wybranych przedstawień.
2
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Alternative Theatre in Poland after 1989

63%
Ostrowska J., Tyszka J.
Journal of Applied Cultural Studies
|
2016
|
vol. 2
EN
The term “alternative theatre” assumes the conscious adoption of a critical and rebellious attitude against the existing social and political status quo. What is more, it assumes a desire by artists of the theatre to supplant the existing methods of social communication with other, more creative ways, which better contribute to the self-development of individuals who participate in the process. Here, theatrical performance signifies the wish of theatrical artists to change the structure of their contemporaries’ perception and valorisation of the world. Bearing in mind this preliminary assumptions the authors of the article focus on the selected topics: the concept of alternative theatre, the Polish alternative theatre experience as a part of universal countercultural movement, the outdoor and site specific theatre festivals as a tool for social change and the future prospects of the alternative theatre in Poland.
3
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Ostatni europejski Dragon. (Dragan Klai 1950-2011)

63%
Ostrowska J.
Człowiek i Społeczeństwo
|
2012
|
vol. 33
215-216
EN
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