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The article examines the motivations, attitudes, and practices of senior ballroom dancing (dancers over 30 years of age). The paper is based on qualitative research (interviews and participant observation) conducted in one Warsaw dancing club and presents senior ballroom dancing as serious leisure as conceptualized by Robert Stebbins, that is, a pursuit of leisure activity that involves long-term commitment and substantial investment in one’s development (and thus, significant personal effort) that creates a distinct social world and a strong identification with the chosen activity. Dancing as a serious leisure activity falls somewhere in the middle of the sport-leisure continuum, and senior ballroom dancing is analyzed as a liminal case between these two, oscillating between recreation and competitive approach. The article investigates the process of professionalization of leisure, showing what place dance and competitions occupy in the lives of senior dancers.
EN
The paper advocates the claim that boredom is not only a psychological state or existential mood but a social emotion produced and reproduced in the process of interactions between people as individuals, people displaying specific social roles, or social groups. Moreover, as argued in the article, the feeling of boredom is particularly characteristic of power relations. Therefore, boredom is hypothesized to be a matter of interactional/social position – its experiencing is influenced by one’s social status. The power to produce boredom in others usually reflects a higher social position, and in some situations, causing others to be bored can constitute a deliberate or unintentional method of keeping others in a submissive position by limiting their sense of agency – thus a tool for gaining/maintaining power and social control.
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