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1
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Ariel Yahalomi “Finalmente salvo!...”. Memorie di un Ebreo Polacco sopravvissuto a 11 Lager nazisti, Traduzione di Augusto Fonseca, Deltaedit, Arnesano (Lecce) 2015

100%
De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2015
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issue 6
219-220
2
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Stefan Grabiński, Il demone del moto. Racconti fantaferroviari, traduzione e cura di Mariagrazia Pelaia, Stampa Alternativa, Viterbo 2015

100%
De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2016
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issue 7
211-214
EN
Book review
3
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Afryka Ryszarda Kapuścińskiego i Piera Paola Pasoliniego

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De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2015
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issue 6
155-171
EN
Ryszard Kapuściński (1932-2007) and Pier Paolo Pasolini (1922-1975) are two intellectuals who in different times and places, each with his own cultural background, decided to push their artistic and intellectual research beyond the borders of pure literary expression in order to understand an increasingly indecipherable and threatening present. Two intellectuals in many ways very different from each other, but with a common passion – Africa. The Black Continent, the privileged object of their reflections, represents an original world, untouched by the capitalist and neo-imperialistic aspirations of poisoned Western society, thus becoming a mixture of romantic fantasies and dreams of unteachable regenerations.
4
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‘Honor the great poet’. The Józef Ignacy Kraszewski’s contribution to the development of Polish Dante studies

100%
De Carlo A. F.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2019
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vol. 55
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issue 4
363-381
PL
Artykuł przedstawia wkład Józefa Ignacego Kraszewskiego w rozwój polskiej dantologii. Działo się to za sprawą lekcji, które Kraszewski prowadził na temat Dantego w Krakowie i Lwowie w 1867 roku, które następnie, w roku 1869, ukazały się drukiem pod tytułem: Studja nad Komedją Boską. W artykule zaprezentowano inne ówczesne opinie badaczy-dantystów oraz mniej lub bardziej krytyczne recenzje wyników badań Kraszewskiego.
EN
The article analyses the Józef Ignacy Kraszewski’s contribution to the development of Dante studies in Poland. It was thanks to his lectures on Dante, held in Krakow and Lviv in 1867, and later published under the title Studies on The Divine Comedy, 1869. The article presents other opinions of Dante scholars of the time and more or less critical reviews of the results of Kraszewski’s research.
5
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Il futurismo polacco nella critica letteraria dell’epoca

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De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2016
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issue 7
61-76
EN
The article analyses the critical voices raised against the young poets and artists who promoted Futurism in Poland during the first half of the Twentieth century. Futurist manifestos influenced the new Polish poetry, stimulating a lively debate among intellectuals of the calibre of Stefan Żeromski and Karol Irzykowski. In general, the coeval criticism of Polish Futurism focused on three main points: the lack of originality and servile imitation of foreign literary models; the repudiation of the past and national traditions; Futurism as an expression of ideologies such as Fascism in Italy and Bolshevism in Russia. In this article, specific attention is devoted to an analysis of the essay Snobizm i postęp (Snobbery and Progress, 1923) by Żeromski. The writer, criticising Polish imitators of Russian Futurism, affirmed that Polish literature and culture, in the context of national reconstruction after three partitions of Poland, needed to maintain its natural connection with the past and at the same time, without losing its national nature, to weave some universal suggestions into the plot of purely Polish themes. The goal of this article is to reveal that Żeromski and Irzykowski’s critical stance towards the Polish Futurists, which influenced the critics of the next generation, was dictated by a shallow analysis of Futuristic works and by their inability to understand Futuristic efforts to modernise Polish art and literature.
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Le lezioni sulla Divina Commedia di Józef Ignacy Kraszewski e gli inizi della dantistica polacca (1820-1870) 1.

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De Carlo A. F.
Poznańskie Studia Polonistyczne. Seria Literacka
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2020
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issue 39
139-166
EN
The article analyses Józef Ignacy Kraszewski’s contribution to the development of Polish Dante studies – thanks to his lectures on Dante held in Krakow and Lviv in 1867 and later published under the title Studies on The Divine Comedy, 1869. The article presents other opinions of Dante scholars of the time and more or less critical reviews of the results of Kraszewski’s research.
7
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Alla ricerca dell'„Arcadia degli artisti": il viaggio in Italia di Józef Ignacy Kraszewski

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De Carlo A. F.
Studia Romanica Posnaniensia
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2007
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vol. 34
151-166
EN
In 1858 J. I. Kraszewski accomplished a trip around Italy, a country defined by Goethe as the artists' Arcadia. His trip was described in his travel diary Kartki z podróży 1858-1864 (Travel pages 1858-1864). Kraszewski's aims as an artist and art critic were to deepen his theoretical knowledge, to see the Antique Rome, since he was fascinated by archeology and history, and visit Dante's city, because he had translated The Divine Comedy around 1864.
8
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Jarosław Iwaszkiewicz Novelle italiane, traduzione di Dario Prola, 21 Editore, Palermo 2014

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De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2015
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issue 6
209-210
9
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Aurelia Raszkiewicz Piste di lacrime. Siberia e ritorno, Traduzione di Augusto Fonseca, Zane Editrice, Melendugno (Lecce) 2011; 2a ed. Deltaedit, Arnesano (Lecce) 2014

100%
De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2015
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issue 6
218-219
10
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Dante Alighieri, Vita nuova. Życie nowe, przekład Atanazy Siekierski, opracowanie Anna Pifko, redakcja Wacław Walecki, Collegium Columbinum, Kraków 2017, pp. 228

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De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2017
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issue 8
269-272
11
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Speculum animae. Metafore catottriche nei racconti di Stefan Grabiński

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De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2017
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issue 8
54-67
EN
Through an analysis of several short stories by Stefan Grabiński, the article aims to show that his narrative is based on the principle of a metaphorical mirror, which exposes the dual nature of the world: matter and spirit, good and evil, world and afterworld, inner reality and outer reality. The reflected image of the world does not coincide with the real one. That image in the mirror is beyond human reason and appears as a terrifying truth and as the profound chaos of the soul. Grabiński develops the doubling of reality, which is present – with different meanings – not only in philosophical, religious, psychological and psychoanalytic thought, but also in the field of the paranormal and of parapsychology, through the theme of the double.
12
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Alessandro Amenta, Le parole e il silenzio. La poesia di Zuzanna Ginczanka e Krystyna Krahelska, Aracne Editrice, Roma 2016

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De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2016
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issue 7
207-210
13
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Pietre viventi (frammento) di Wacław Berent

63%
Damiani E., De Carlo A. F.
pl.it / rassegna italiana di argomenti polacchi
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2013
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issue 4
63-77
14
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Introduzione

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Śniedziewska M., De Carlo A. F.
Poznańskie Studia Polonistyczne. Seria Literacka
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2020
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issue 39
7-9
PL
Introduzione
15
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Włoskie konteksty

63%
Śniedziewska M., De Carlo A. F.
Poznańskie Studia Polonistyczne. Seria Literacka
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2020
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issue 38
7-9
PL
Wstęp. Włoskie konteksty
16
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Inhuman Humanity: On the Theater of Angela Di Maso

63%
De Carlo A. F., Di Maso A.
Pamiętnik Teatralny
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2023
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vol. 72
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issue 2
165-189
EN
This article discusses Angela Di Maso’s theater, which is a reflection on contemporary society and aims to awaken audiences from social conformity and consumerism. This theater seeks to explore human existence, with its metaphysical anxiety, violence, and the brutality of everyday life present. It challenges social norms and stereotypes, using crude language to tell stories that disturb and provoke self-analysis. Angela Di Maso’s theater has gained recognition and success for its versatility in combining textual and scenic elements, meticulously developed with actors. Di Maso’s work combines tradition and innovation, drawing inspiration from European theater and at the same time representing a form of resistance to traditional and avant-garde theatrical conventions, forging new paths of expression and advocating freedom of expression. The article includes as an appendix an extensive interview with Angela Di Maso, entitled “From Jerzy Grotowski to Angela Di Maso, via Witold Gombrowicz: An Interview with an Enfant Terrible of Italian Theater.”
PL
Artykuł dotyczy teatru Angeli Di Maso, który podejmuje refleksję nad współczesnym społeczeństwem i stawia sobie za cel przebudzenie publiczności ze społecznego konformizmu i konsumpcjonizmu. Teatr ten tematyzuje metafizyczny niepokój wpisany w ludzką egzystencję oraz przemoc i brutalność codziennego życia. Podważa normy społeczne i stereotypy, za pomocą opowiadanych dosadnym językiem historii, które niepokoją i prowokują do autoanalizy. Teatr Di Maso zyskał uznanie dzięki elastyczności w łączeniu elementów tekstowych i scenicznych, precyzyjnie opracowanych z aktorami. Twórczość Di Maso łączy tradycję i innowacyjność, czerpie inspirację z teatru europejskiego, a jednocześnie stanowi formę oporu wobec tradycyjnych i awangardowych konwencji, wytyczając nowe ścieżki ekspresji i opowiadając się za wolnością wypowiedzi. W aneksie umieszczono obszerny wywiad z Angelą Di Maso, zatytułowany „Od Jerzego Grotowskiego do Angeli Di Maso, poprzez Witolda Gombrowicza: Wywiad z enfant terrible włoskiego teatru”
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