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The Way of Thought and Practice

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/Review: Poul Andersen, The Paradox of Being: Truth, Identity, and Images in Daoism (Leiden, The Netherlands: Harvard University Asia Center, 2019), 362 pages./ Philosophy tends to approach Daoism in degrees. One may be introduced to the Dao de Jing of Laozi and appreciate the poetic structure and appreciate the virtues of non-coercive action. When one next encounters the writings of Zhuangzi, one is struck by the difference in style, the humor, and often the difficulty in penetrating the meaning of many passages. This is frequently contrasted with Confucian philosophy. The vocabulary, upon first examination appears similar but upon further reading one discovers that not only do these traditions use shared terminology in different way but that their views of reality is stark. This is much more so with the French existentialists and yet Poul Andersen finds sympathetic understanding between Daoism and “philosophies of existence” with regards to the concept of being. Those familiar with the Dao de Jing can probably cite passages that Andersen will address as it is unmistakable in Daoism that being is said to come from and depend on non-being. The existentialist tradition has meditated on questions of being and so Andersen’s aim is to undertake an exploration of being in Daoism informed by existentialist methodology. This review seeks to emphasize the case studies Andersen utilizes in his research. While his methodological approach is informed by existentialist philosophers, his decades of research in Chinese religions provides much of the substance throughout.
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Mutterings to the Wall

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This paper takes up Hadot’s call for more comparative work on Buddhism and Philosophy as a Way of Life by comparing Zen Master Hakuin Ekaku’s artwork Pilgrims with the graffiti artist Banksy’s The Street is in Play. Beyond the striking similarities in form and apparent tongue-in-cheek criticism of graffiti, this paper explains the context of Hakuin’s artwork and the text of his painting before exploring the importance of graffiti in the Platform Sutra of the Sixth Patriarch. I argue that by taking up Hadot’s call for more comparative work we find that Hakuin’s Zen bears fruitful points of comparison with Hadot’s account of philosophy as a way of life. Furthermore, a comparison of the two artworks of Banksy and Hakuin helps us better understand both figures via thematic elements of humor and socially disruptive writings.
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Preview/Review: Steven Collins, Wisdom as a Way of Life: Theravāda Buddhism Reimagined (Columbia University Press, 2020), 304 pages./ Steven Collins was in the process of finalizing his manuscript and final academic work on Buddhism when he passed away unexpectedly at the age of sixty-six in February 2018. Although unfinished, the manuscript was in circulation among his colleagues and was near to completion. The final published version suffers hardly at all except for a somewhat abrupt end that one imagines would have seen a few more pages added to put a bow on a capstone project to a life of excellent research and truly entertaining composition.
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