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EN
In spite of some opinions that have prevailed in Poland so far, the influence of Freud’s and his successors’ theories on the Polish literary criticism of the interwar period was not only diverse, but also often related to very original and innovatory interpretations of both classical and modern literature. In this article, a study of Stefan Baley, originating from the interwar period, is recollected and analyzed. In an inventive way, the author of this article transplants the methodology contained in Freud’s book Psychopathology of everyday life to the ground of the Polish literary research. On that basis he examines a slip of the tongue in Słowacki’s Anhelli. Thanks to the applied methodology, the author of this paper uncovers some deeper, hidden meanings of the interpreted piece of work. He reveals the truth that is unavailable to those researchers who use methods of interpretations different from psychoanalysis.
EN
Issues concerning history of literary research in Poland constitute content of the paper. The author aimed at examining possible relations between contemporary researches on intertextuality and so called Polish school of ”influenceology” – a popular trend in Polish literary study in two first decades of the 20th century. Ruminations on scholarly achievements of Stanisław Windakiewicz who is the main representative of this trend are included in the paper, as well as detailed critical reception of his works at that time. An outline of differences of opinions between supporters of researches on literary influences and interrelations and opponents of such way of analyzing of literature were presented. The author aimed at emphasizing both advantages, as well as disadvantages of comparative investigations of that time. Finally, similarities and differences between ”influenceology” and intertextuality were pointed. Definitions of intertextuality proposed by i.e. Polish literary theoreticians ( H. Markiewicz, M. Głowiński) were used in the paper.
EN
The Polish literature of 1945-1989 - compared to many countries of Europe and America - is characterised by relatively poor use of inspirations arising from the psychoanalytical tradition. After 1989, this situation was partially changed. Devoting a monographic, double issue of "Teksty Drugie" ("Second Texts") to the phenomenon of the Return of psychoanalysis - which was its illustrative subtitle - may be regarded as extremely characteristic for the reception of the idea of Sigmund Freud in new Polish political and cultural reality. In the presented article, several prose texts written in the 1990s (by, among others, Olga Tokarczuk,Małgorzata Saramonowicz or Joanna Bator) were analysed, in which we observe rather clear references to many theses of the author of Introduction to psychoanalysis and his successors. Some of the literary works were interpreted in the context of intersexuality. Frequent - more or less explicit - references to various works of Freud (and of his successors, continuators, revisionists or polemicists) some times take on the character of inter-textual references, with which the analysed prose seems to match the literary trend which was distinctive for the Polish output of the 1990s.
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