Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Zagorka. Fenomen (nie)obecny.

100%
HR
Članak prikazuje fenomen Marije Jurić Zagorke - najpopularnije hrvatske spisateljice i prve novinarke iz Srednje Europe, iz perspektive njezine recepcije u Hrvatskoj i Poljskoj. Kritičku recepciju njezine produkcije u Hrvatskoj karakterizira velika dinamika i dihotomija; u posljednjih desetak godina došlo je do svojevrsne renesanse interesa za ovu figuru, u akademskoj dimenziji (osobito feministički orijentiranoj) uzimajući oblik valorizacije i revalorizacije Zagorkine bogate ostavštine. Suvremeni poljski književni diskurs slabo reagira na fenomenalnu popularnost Zagorke u njezinoj domovini, iako se u Poljskoj pojavila i kao spisateljica i kao novinarka već početkom 20. stoljeća.
PL
This article shows the phenomenon of Croatian journalist and writer Marija Jurić Zagorka. Well-known in Croatia and recently very popular not only among her readers but also scholars (especially feminist-oriented), she remains almost completely absent in Poland today despite the fact that her first novel, The Slaves [Roblje], was translated at the very beginning of the 20th century and she herself was commemorated as the first female journalist from Central Europe in the 1930s.
EN
In the 1990s Dubravka Ugrešić initiated her ever-continuing journey which may serve as a pretext to analyse the travels characteristic of the break of centuries, undertaken against the background of political transformations in Eastern Europe and the global changes of contemporary culture. The article attempts to outline the writer's emotions brought on by her "expulsion" (her emigration from Croatia), which she expresses in essays and complex novels that witness the postmodern exhaustion of the entitative character. The observations gathered show that the traditional framework of travel discourse is often too narrow to hold the multidimensional image of the dramatic escape, the particular expulsion, and the never-ending wandering.
3
100%
EN
The article, based on the commemorative books of the Brlićevac summer house and the correspondence of the Croatian writer Ivana Brlić-Mažuranić, attempts to show the influence that the family estate had on Brlić-Mažuranić and her work. Atthe estate in the immediate vicinityof Brod, where the spouses lived, the family spent the summer months for many consecutive years and Ivana Brlić-Mažuranić wrote most of her works. The close contact with nature, which this place provided to a nature-loving writer, became the dominant source of her inspiration, it also guaranteed great well-being, unattainable in other places she lived ( Brod, Zagreb ). The property played a huge role in the life of the famous Croatian who, in her time free from the work in the vineyard, willingly devoted herself to recreation typical of a summer resort, and each celebration of the moments spent together with the loved ones, led to a kind of sacralization of this space.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.