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  1. 2 Konteksty - Polska Sztuka Ludowa

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  1. 2 Bojarska K.

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  1. 1 2018

  2. 1 2014

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Sebald / Weliczker. Próba ujęcia fotografii historycznej

100%
Bojarska K.
Konteksty - Polska Sztuka Ludowa
|
2014
|
vol. 68
|
issue 3-4(306-307)
145-155
EN
The author compared two seemingly incommensurate works: a diary by Leon Weliczker – The Death Brigade, and three examples of prose by W. G. Sebald – The Emigrants, Austerlitz and The Rings of Saturn. In this way, she pursued reflections about the place of photography in narrations concerning the traumatic past and proposed a hypothesis on the possible role played by historical photography vis-à-vis the modern or post-modern interpretation of history. K. Bojarska is interested not in that, which can be seen in the analysed photographs (or rather the uses of photography) but with that to which they refer, the role, which they play in the process of imagining and associating, as well as in the creation of history, and not its recreation.
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Świadectwo artystyczne – przypadek Ottona Dov Kulki

100%
Bojarska K.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 4(323)
50-59
PL
Autorka przedstawia cechy świadectwa artystycznego i literackości rozumianej jako wehikuł świadectwa historycznego ze szczególnym uwzględnieniem aspektów poznawczych i afektywnych. W kolejnej części tekstu proponuje szczegółowe studium przypadku, jakim jest książka „literacka” historyka Zagłady i antysemityzmu Otto Dov Kulki, a następnie wskazując na pewne cechy analizowanego przypadku proponuje alternatywną formułę świadectwa artystycznego i świadka jako twórcy.
EN
A presentation of the features of artistic testimony and literal quality conceived as a vehicle of historical testimony, with particular attention paid to its cognitive and affective aspects. The successive part of the text proposes a detailed study of a single case - the “literary” book by Otto Dove Kulka, an historian of the Holocaust and anti-Semitism. K. Bojarska went on to indicate certain features of the analysed case and proposed an alternative formula of artistic testimony and of the witness as creator.
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