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  1. 2 Musicologica Slovaca

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  1. 2 Ščepán M.

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  1. 1 2016

  2. 1 2015

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1

BIOGRAFIA HUDOBNÉHO SKLADATEĽA TADEÁŠA SALVU

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Ščepán M.
Musicologica Slovaca
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2016
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vol. 7 (33)
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issue 1
52 – 93
EN
This article summarises the results of the latest research focused on the biography of the Slovak composer Tadeáš Salva (1937–1995). Salva is regarded as one of the most important figures in Slovak music in the second half of the 20th century. The research draws upon hitherto unpublished works, verifying the existing facts and presenting new information on the composer’s life. Tadeáš Salva was born in the village of Lúčky, where he spent his childhood and derived his first musical inspirations. During his music studies in Žilina, Bratislava and Katowice, and following their conclusion, Salva worked in various positions in institutions in Dolný Kubín, Liptovský Hrádok, Martin, Košice, Bratislava and Nitra. He died at the age of 57 in circumstances which have never been clarified. He is buried in his native village, on the plot belonging to his work studio, close to the family home.
2

BÁSNE ZO ZBIERKY NOX ET SOLITUDO IVANA KRASKA V PIESŇOVEJ LYRIKE TROCH SLOVENSKÝCH HUDOBNÝCH TVORCOV

100%
Ščepán M.
Musicologica Slovaca
|
2015
|
vol. 6 (32)
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issue 2
307 – 320
EN
Ivan Krasko (1876 – 1958), own name Ján Botto, is regarded as the leading figure of literary modernism in Slovakia. His poems have been set to music by several Slovak composers, with most of these adapted poems being taken from Krasko’s best-known collection, Nox et solitudo (1909). Tis work was drawn upon by composers from different 20th century generations, ranging from the older generation of composers, through the adherents of musical modernism, to the representatives of New Music. The aim of the paper is to present Krasko’s poetry in works for vocals and piano by Mikuláš Schneider-Trnavský (1881 – 1958), Eugen Suchoň (1908 – 1993) and Tadeáš Salva (1937 – 1995), highlighting the genesis of the works studied, their status in the context of these composers’ work, and their artistic significance, using semantic-structural analysis.
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