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La poétique du masque dans L’Uscoque de George Sand

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Rebai E.
Cahiers ERTA
|
2018
|
issue 16
29-43
EN
The purpose of this article is to examine the different variations of the mask as well as its limits in George Sand's Uscoque, a novel very rich in events that take place between Morea and Venice at the time of the Turkish‐Venetian wars.
2
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La nature et l’écriture chez George Sand : l’histoire d’un bonheur qui ne trahit jamais

100%
Rebai E.
e-Scripta Romanica
|
2021
|
vol. 9
55-62
EN
George Sand's originality stems from her desire not to be devastated by the afflictions and setbacks that cruelly crossed her life. Paradoxically, political disenchantment and sentimental disappointment made her a very optimistic and enthusiastic woman, in love with life and its harshest and most discreet joys. Sand never sought to deny the misfortunes that consumed her life, her heart and her mind. She accepted them while seeking to take advantage of them and sublimate them, always living in the hope of finding what rejoices her heart, revives her strength of love and renews her faith in the future. This quest for happiness, Sand carried it to the last breath: the secret of Sandian bliss lies both in writing and in nature.
FR
L'originalité de George Sand naît de cette volonté de ne pas être dévastée par les afflictions et les revers qui ont cruellement traversé sa vie. Paradoxalement, le désenchantement politique et la déception sentimentale ont fait d'elle une femme très optimiste et enthousiaste, amoureuse de la vie et de ses joies les plus âpres comme les plus discrètes. Sand n'a jamais cherché à nier les malheurs qui ont consumé sa vie, son coeur et son esprit. Elle les accepte tout en cherchant à en tirer profit et à les sublimer, vivant toujours dans l'espoir de trouver ce qui réjouit son coeur, ravive sa force d'amour et renouvelle sa foi en l'avenir. Cette quête du bonheur, Sand l'a portée jusqu'au dernier souffle : le secret de la béatitude sandienne réside à la fois dans l'écriture et dans la nature.
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