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  1. 2 Orviská K.

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  2. 1 2022

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1

IMRICH ESTERHÁZI A JEHO HISTORIOGRAFIA PRI VÝSKUME DEJÍN UMENIA

100%
Orviská K.
ARS
|
2022
|
vol. 55
|
issue 2
169 - 181
EN
Imrich Esterházi is one of the most important patrons of the 18th century yet his patronage in present-day Slovakia, Hungary and Croatia has not been analysed. Detailed iconological research on his commissions is lacking as well. The aim of this study is to summarize and briefly analyse his extensive, but still not comprehensively processed, historiography. The latter constitutes the basis for further research, especially in the field of iconology and patronage, and thus will be able to make future research faster and easier. I will focus on literary and archival sources related to the person of the Primate, most of which are still unknown in our region.
2

ICONOGRAPHY OF THE FORMER MAIN ALTAR OF ST. MARTIN BY GEORG RAPHAEL DONNER IN ST. MARTIN‘S CATHEDRAL IN BRATISLAVA

100%
Orviská K.
ARS
|
2023
|
vol. 56
|
issue 2
209 - 221
EN
The sculptural group of St. Martin and the Beggar by Georg Raphael Donner, which was part of the eponymous altar in St. Martin’s Cathedral in Bratislava commissioned by the Primate Emericus Esterházy in 1733, is one of the most important works of art of the first half of the 18th century. This article aims to analyse the probable iconographic models for the Bratislava sculptural group, the iconographic type of St. Martin on horseback and the beggar in the context of the researched work of art, and the atypical elements of the sculptural group, in which authors have searched for specific meanings to this day.
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