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  1. 2 Slovenské divadlo (Slovak Theatre)

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  1. 2 Sládeček J.

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  2. 1 2017

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SHAKESPEAROVSKÁ DRAMATIKA V TVORBE MILOŠA PIETORA: MEDZI PROLÓGOM A EPILÓGOM

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Sládeček J.
Slovenské divadlo (Slovak Theatre)
|
2018
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vol. 66
|
issue 1
23 - 40
EN
William Shakespeare’s work has a very specific place in Miloš Pietor’s professional biography: it starts at the beginning of the artist’s creative period and then again at the end of his professional life. The study is devoted to this part of the director’s work. It analyses the plays Merry Wives of Windsor (P. Jilemnický Theatre, 1963), Hamlet (Nová scéna Theatre 1974), comedy Love’s Labour’s Lost) (Nová scéna Theatre 1976) and presents the directorial and dramaturgical concept of Pietor’s first production after November 1989, The Merchant of Venice (1991). His planned premiere at the Slovak National Theatre did not take place; the work was cancelled due to the director’s tragic death.
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MILOŠ PIETOR A SHAKESPEAROVE HISTORICKÉ KRONIKY V SND

100%
Sládeček J.
Slovenské divadlo (Slovak Theatre)
|
2017
|
vol. 65
|
issue 2
196 – 217
EN
The plays of William Shakespeare, except for Hamlet (Nová scéna, 1974) and Richard III (SND, 1987), do not define the artistic profile of Miloš Pietor, yet they significantly supplement it. Although as a dramaturge he felt at his best in a different repertoire, his several encounters with Shakespeare cannot go unnoticed. They must be examined for complete information about the director’s artistic development, but also about the productions of Shakespeare in Slovakia. Pietor had encountered Shakespeare six times; their seventh encounter was interrupted by the director’s unexpected death. The present paper deals with Pietor’s production of Shakespeare’s historical chronicles for the Slovak National Theatre in the period of 1980–1987.
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