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  1. 3 Kwartalnik Młodych Muzykologów UJ

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  1. 3 Sucharska W.

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  2. 1 2016

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Awangardowe techniki kompozytorskie w Trzech diagramach na flet solo Henryka Mikołaja Góreckiego

100%
Sucharska W.
Kwartalnik Młodych Muzykologów UJ
|
2016
|
issue 4(31)
78-99
EN
The aim of the article is to analyse Three diagrams for solo flute Op. 15 by Henryk Mikołaj Gorecki in the light of compositional techniques used in the piece as well as placing the work in the context of the early output of the composer. In order to achieve the defined aims the score has been analysed as well as the statements of the composer and of people related to him. This research enabled the author to precise in what ways Gorecki uses techniques such as serialism, punctualism and aleatorism. In the paper composer’s individual and innovative approach to the avant-garde techniques is revealed. However, the idiomatic elements of the whole Gorecki’s style are also present in the analysed work. The article consists of two parts. The first part includes the problem of history and the style of Henryk Mikołaj Gorecki’s early works. The second part is devoted to the analysis and conclusions.
2
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Henryk Mikołaj Górecki’s Chamber Music Works in the Context of the Transformations of the Composer’s Style: Selected Examples

100%
Sucharska W.
Kwartalnik Młodych Muzykologów UJ
|
2020
|
issue 3(46) ENG
87-108
EN
The aim of this paper is to analyse stylistic changes in Henryk Mikołaj Górecki’s output on the example of four selected chamber music works: Quartettino, Op. 5, Concerto for Five Instruments and String Quartet, Op. 11, Little Music 4, Op. 28 and Aria (‘operatic scene’), Op. 59. By applying the methods of structural and auditory analysis as well as style criticism, I discuss the diversity of composition techniques found in these compositions. Additionally, my methodology has allowed me to represent the idiomatic, idiosyncratic features of Górecki’s style and study the ways in which Górecki approached chamber music.
3
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Dzieła kameralne Henryka Mikołaja Góreckiego w kontekście przemian stylu kompozytora. Wybrane przykłady

100%
Sucharska W.
Kwartalnik Młodych Muzykologów UJ
|
2020
|
issue 3(46)
91-113
EN
The aim of this paper is to study stylistic changes in Henryk Mikołaj Górecki’s works based on four predefined instances of chamber music: Quartettino, Op. 5, Concerto for Five Instruments and String Quartet, Op. 11, Muzyczka IV, Op. 28 and Aria scena operowa, Op. 59. The use of structural, auditory and style-critics analyses has made is possible to follow the variety of the composition techniques present in chamber compositions. Additionally, it has allowed to exhibit idiomatic features of Górecki’s style and enabled to study the way in which Górecki used chamber music.
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