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Roberto Saviano, czyli rzecz o kalaniu własnego gniazda i jego konsekwencjach

100%
Korzeniecka W.
Fabrica Litterarum Polono-Italica
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2020
|
issue 2
109-126
IT
Roberto Saviano, scrittore e giornalista investigativo italiano, autore del best-seller Gomorra, da tredici anni vive sotto scorta. Questo è il prezzo che paga per aver rivelato la verità sulle attività della camorra. Saviano è un Nestbeschmutzer, uno scrittore che insozza palesamente il nucleo a cui appartiene, suscitando così emozioni e valutazioni estreme. Lo scopo di questo articolo è quello di esaminare ciò che lo spinge alla costante ricerca della verità. Quali strategie usa per raggiungere il proprio obiettivo? Alla sua lotta senza compromessi come rispondono i politici, gli intellettuali, il “comune” cittadino e l’opinione pubblica internazionale?
EN
Roberto Saviano is an Italian writer and investigative journalist who has been living under strict police protection for thirteen years. He wrote Gomorrah, a bestselling book, that drew the mafia’s attention and resulted in a death sentence. Life in hiding is a price he pays for revealing the harsh truth about the activity of Neapolitan Camorra. The aim of this paper is to investigate what drives his uncompromising pursuit for truth, the strategies he uses to achieve this aim, and the response to his approach, coming from Italian politicians, intellectuals, ordinary people, and international general public.
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Ile twarzy ma Gomorra? (Trans)medialna historia jednej książki

100%
Korzeniecka W.
Zagadnienia Rodzajów Literackich
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2020
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vol. 63
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issue 2
27-42
PL
The aim of the article is to present Gomorra by Roberto Saviano as the largest contemporary transmedia project in Italy, which includes theatre play, movie, drama series and many other satellite works. In particular, the paper shows how the book fits into the concept of convergence culture by Henry Jenkins. The article provides answers to questions about fandom of Gomorra, about specific realizations of some of Saviano’s stories, about the nature of the relation between grassroots fan culture and creators of official productions and about the role of the writer himself in all these processes.
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