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MÄKKOSTNÁ KORELÁCIA A VÝSLOVNOSŤ MÄKKÉHO “ Ľ ”

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Findra J.
Slovenská reč (Slovak Language)
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2011
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vol. 76
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issue 1-2
56 – 62
EN
The author analyses on time axis the opinions of the linguists on the pronunciation of soft consonant “ľ “. He monitors also their approaches to the codification of its pronunciation in The Rules of the Slovak Orthography. From the synchronic point of view and in the background of the diachronic dynamics, he registers the tension between a codified norm and usage. He states that articulatory-acoustic convergence of the consonants l – ľ is conditioned by historical, sociolinguistic, administrative-legal and subjective reasons. The author expects on the basis of this analysis that a discussion about dual pronunciation of soft consonant ľ will be actual and legitimate, as Ľudovít Novák considered in the thirties. The tension between the norm and the usage is impossible to solve by administrative steps or legal orders. External interventions in the language have to be very sensitive and well thought-out.
2
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JAVISKOVÁ REČ V KONTEXTE VÝRAZOVÝCH PROSTRIEDKOV NA VÝSTAVBU JAVISKOVÉHO TVARU

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Findra J.
Slovenské divadlo (Slovak Theatre)
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2014
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vol. 62
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issue 1
69 - 80
EN
The study briefly analyses the present views on the staging speech and redefines its system-functional basis. As the means of expression, the staging speech participates in the transformation of the dramatic text into the staging form. Its components and elements are classified and characterized with regards to such application. The author accepts „classical“ opinion, stating that the essential existential base of the staging speech is a speech technique, proper handling with the breathing, clear articulation, literary pronunciation of the sounds and the speech flow in accordance with a codified norm. Regarding system-functional structure, the verbal-intonation means with their mainly the functional potential are of no less importance. On the principle of contrast, these existential components and elements are used as the means of exactness, understandability and explicitness of the staging character´s speech, while at the same time identify the character as a human type by means of his/her idiolect as well as matter-of-factness within tension – aesthetics, objectivity – subjectivity, notionality – emotionality/expressivity, they create differentiating stylistic contexts. While implementing these functions, the verbal means are tied up with the non-verbal ones.
3

KÁZEŇ V PRIESTORE NÁBOŽENSKEJ KOMUNIKAČNEJ SFÉRY

100%
Findra J.
Slovenská reč (Slovak Language)
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2006
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vol. 71
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issue 3
129 – 135
EN
The author analyses content and formal structures of a sermon as an individual genre. He reasons that texts of religious communication sphere are not united on a base of a special religious style, but they are related to the several functional language styles.
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