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Cahiers ERTA
|
2015
|
issue 8
141-151
EN
The contemporary theater has many subversive dramatic forms. The concept of theatricality may cover many considerations of modern French drama. Anyway. We try to have evidence about otherness (alterity) and its line’s manifestation which we will focus. We have searched to read both conceptually and aesthetically by structure of imagination. The rise of dramatic theatre during the same scene that firmly established symbolic and daily life represented discourses.
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